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Vicente Blasco Ibáñez, in his 1916 novel The Four Horsemen of the Apocalypse (filmed in 1921 and 1962), provides an early example of this interpretation, writing, "The horseman on the white horse was clad in a showy and barbarous attire. . . . While his horse continued galloping, he was bending his bow in order to spread pestilence abroad.
Pages in category "Paintings based on the Book of Revelation" The following 17 pages are in this category, out of 17 total. ... Death on the Pale Horse; F. The Fall ...
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The period involved is from 4000 B. C. to 3000 B. C. "It extends from after the fall of Adam, which according to the Ussher chronology was 4004 B.C., to shortly after the translation of Enoch and his city in 3017 B.C." [22] The white horse is an emblem of victory. The bow is an emblem of war, and the crown is the emblem of a conqueror.
Other English artists took inspiration from West's work. One was Phillip James de Loutherbourg, who painted The Opening of the Second Seal (Tate Gallery, London), using the pale white horse in The Death of the Pale Horse as a clear model. [1] West's apocalyptic subjects also resemble William Blake's watercolors based on the Book of Revelation. [1]
Boy on a white horse, drawing by Theodor Kittelsen (1857–1914). Of the four elements, water is the one most often associated with the horse, [156] whether the animal is assimilated to an aquatic creature, linked to fairy-like beings such as Japan's kappa, or mounted by water deities. He may be born of water himself, or cause it to gush forth ...
The Apocalypse, properly Apocalypse with Pictures (Latin: Apocalipsis cum figuris; German: Die heimliche Offenbaru[n]g ioh[an]nis), [1] is a 1498 printed book by Albrecht Dürer containing fifteen woodcuts accompanied by text. The book depicts scenes from the Book of Revelation, and rapidly brought Dürer fame across Europe. [2]
The Apocalypse Tapestry is a large medieval set of tapestries commissioned by Louis I, the Duke of Anjou, and woven in Paris between 1377 and 1382.It depicts the story of the Apocalypse from the Book of Revelation by Saint John the Divine in colourful images, spread over six tapestries that originally totalled 90 scenes, and were about six metres high, and 140 metres long in total.