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Many other jazz artists also borrowed from black gospel music. Before World War II, American churches, black and white, regarded jazz and blues with suspicion or outright hostility as "the devil's music". It was only after World War II that a few jazz musicians began to compose and perform extended works intended for religious settings or ...
The African-American urban contemporary gospel music duos music recording career commenced in 1994, with the album, Allen & Allen, and it was released by Light Records in 1994. [ 5 ] [ 6 ] This album was coincidentally their breakthrough release upon the Billboard magazine Gospel Albums chart, placing at a peak of No. 20. [ 7 ]
Timothy Bowman Sr. (born April 22, 1959) is an American smooth jazz gospel musician.He started his music career, in 1996, with the release of, Love, Joy, Peace, by INSP Media Group (Insync Music) alongside Diamante Records, and they released his first three albums, 1998's Paradise and 2000's Smile.
Spiritual jazz (or astral jazz) [1] is a sub-genre of jazz that originated in the United States during the 1960s. The genre is hard to characterize musically but draws from free, avant-garde and modal jazz and thematically focuses on transcendence and spirituality. [2] [3] John Coltrane's 1965 album A Love Supreme is considered landmark in the ...
Her next release was a jazz and pop blend incorporating folk music. [2] Dreaming Wide Awake was released in June 2005 [ 5 ] and was No. 1 on the Top Contemporary Jazz chart in 2005 and 2006. In 2008, Wright released The Orchard to positive reviews.
Christian R&B (also known as gospel R&B, rhythm & praise music, and R&P) is a subgenre of rhythm and blues music consisting of tracks with Christian-based lyrics or by musicians typically known for writing such songs. Music in this genre intends to uplift, entertain, or to give a Christian perspective on a topic.
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This is an A–Z list of jazz tunes which have been covered by multiple jazz artists. It includes the more popular jazz standards, lesser-known or minor standards, and many other songs and compositions which may have entered a jazz musician's or jazz singer's repertoire or be featured in the Real Books, but may not be performed as regularly or as widely as many of the popular standards.