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"Yellow Ledbetter" was a Ten outtake and one of the first songs Pearl Jam wrote as a group. [2] The song features lyrics written by vocalist Eddie Vedder and music co-written by bassist Jeff Ament and guitarist Mike McCready. [3] The version of "Yellow Ledbetter" that was eventually released was the second take of the song. [4] McCready says of ...
Guitarist Stone Gossard used a Guild wide-body acoustic guitar to write the music for "Daughter". [2] Bassist Jeff Ament plays upright bass on the song. [2] Guitarist Mike McCready said, "That's one of the few solos I really had to sit down and work out."
Lead Belly, born Huddie Ledbetter, was an American folk and blues musician active in the 1930s and 1940s. This list is incomplete ; you can help by adding missing items . ( February 2011 )
Huddie William Ledbetter (/ ˈ h j uː d i / HYOO-dee; January 1888 [1] [2] or 1889 [3] – December 6, 1949), [1] better known by the stage name Lead Belly, was an American folk and blues singer notable for his strong vocals, virtuosity on the twelve-string guitar, and the folk standards he introduced, including his renditions of "In the Pines" (also known as "Where Did You Sleep Last Night ...
The article lists the release date as August of 1992, however, the article states Yellow Ledbetter is a B-side to Jeremy, which according to its article, was released on 27 September 1992 [1]. CltNC830 14:09, 18 July 2020 (UTC)
Recorded by Lead Belly in 1940, "Cotton Fields" was introduced into the canon of folk music via its inclusion on the 1954 album release Odetta & Larry which comprised performances by Odetta [1] at the Tin Angel nightclub in San Francisco with instrumental and vocal accompaniment by Lawrence Mohr; this version was entitled "Old Cotton Fields at Home".
Huddie Ledbetter # 1968 20/20: 1969 "Country Air" Brian Wilson Mike Love 1967 Wild Honey: 1967 "County Fair" Brian Wilson Gary Usher 1962 Surfin' Safari: 1962 "Crack at Your Love" Brian Wilson Al Jardine 1984–1985 The Beach Boys: 1985 "Crocodile Rock" Elton John Bernie Taupin # c. 1991: Two Rooms: Celebrating the Songs of Elton John and ...
Though rare in the 19th century, septuple metre is occasionally found. Two examples from the piano repertoire entirely in septuple meter are Fugue No. 24, from 36 Fugues for Piano by Anton Reicha (notated in regularly alternating and 3 4 bars), [14] and the Impromptu, Op. 32, no. 8, by Charles-Valentin Alkan, notated in 7 4 time. [15]