Search results
Results from the WOW.Com Content Network
In Middle Ages (10th-16th centuries) was for indoor instrument made up of 4-12 small bells, hung from a bar and struck with hammers. [19] Beginning 12th century, may have had "large wooden key installed" to make playing easier and to help play bigger bells. [19] Latin, western tradition from church tintinabuli, little bell
In the early Middle Ages, ecclesiastical music was dominated by monophonic plainchant. [1] The separate development of British Christianity from the direct influence of Rome until the eighth century, with its flourishing monastic culture, led to the development of a distinct form of liturgical Celtic chant . [ 9 ]
Medieval music encompasses the sacred and secular music of Western Europe during the Middle Ages, [1] from approximately the 6th to 15th centuries. It is the first and longest major era of Western classical music and is followed by the Renaissance music; the two eras comprise what musicologists generally term as early music, preceding the common practice period.
Cheering involves the uttering or making of sounds and may be used to encourage, excite to action, indicate approval or welcome. The word cheer originally meant face, countenance, or expression, and came through Old French into Middle English in the 13th century from Low Latin cara, head; this is generally referred to the Greek καρα;.
Surviving sources indicate that there was a rich and varied musical soundscape in medieval Britain. [1] Historians usually distinguish between ecclesiastical music, designed for use in church, or in religious ceremonies, and secular music for use from royal and baronial courts, celebrations of some religious events, to public and private entertainments of the people. [1]
Not much is known about the particular vocal stylings or performance practices used for Gregorian chant in the Middle Ages. On occasion, the clergy was urged to have their singers perform with more restraint and piety. This suggests that virtuosic performances occurred, contrary to the modern stereotype of Gregorian chant as slow-moving mood music.
From the late Middle Ages there is a gargoyle of a pig playing the bagpipes at Melrose Abbey [6] and the carving of an angel playing bagpipes at Rosslyn Chapel. [8] There are literary references in Scotland to the fiddle, often called the fethill, fedhill or rybid. [9] In the Late Middle Ages several churches acquired pipe organs. [10]
The Sounds and Sights of Performance in Early Music: Essays in Honour of Timothy J. Mcgee. Farnham, Surrey (UK); Burlington, VT: Ashgate. ISBN 978-0-7546-5483-4. Haynes, Bruce. 2007. The End of Early Music: A Period Performer's History of Music for the Twenty-First Century. Oxford and New York: Oxford University Press. ISBN 978-0-19-518987-2.