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A rhyme scheme is the pattern of rhymes at the end of each line of a poem or song. It is usually referred to by using letters to indicate which lines rhyme; lines designated with the same letter all rhyme with each other.
A rhyme is a repetition of similar sounds (usually the exact same phonemes) in the final stressed syllables and any following syllables of two or more words. Most often, this kind of rhyming (perfect rhyming) is consciously used for a musical or aesthetic effect in the final position of lines within poems or songs. [1]
Canzone: a lyric poem originating in medieval Italy and France and usually consisting of hendecasyllabic lines with end-rhyme. Epithalamium; Madrigal: a song or short lyric poem intended for multiple singers. Ode: a formal lyric poem that addresses, and typically celebrates, a person, place, thing, or idea. Horatian Ode
"Mary, Mary, Quite Contrary" is an English nursery rhyme. The rhyme has been seen as having religious and historical significance, but its origins and meaning are disputed. It has a Roud Folk Song Index number of 19626.
The Queen Was in the Parlour, Eating Bread and Honey, by Valentine Cameron Prinsep.. The rhyme's origins are uncertain. References have been inferred in Shakespeare's Twelfth Night (c. 1602), (Twelfth Night 2.3/32–33), where Sir Toby Belch tells a clown: "Come on; there is sixpence for you: let's have a song" and in Beaumont and Fletcher's 1614 play Bonduca, which contains the line "Whoa ...
Perfect rhyme (also called full rhyme, exact rhyme, [1] or true rhyme) is a form of rhyme between two words or phrases, satisfying the following conditions: [2] [3] The stressed vowel sound in both words must be identical, as well as any subsequent sounds. For example, the words kit and bit form a perfect rhyme, as do spaghetti and already. [4] [5]
The terms "nursery rhyme" and "children's song" emerged in the 1820s, although this type of children's literature previously existed with different names such as Tommy Thumb Songs and Mother Goose Songs. [1] The first known book containing a collection of these texts was Tommy Thumb's Pretty Song Book, which was published by Mary Cooper in 1744 ...
The first surviving version of the rhyme was published in Infant Institutes, part the first: or a Nurserical Essay on the Poetry, Lyric and Allegorical, of the Earliest Ages, &c., in London around 1797. [1] It also appears in Mother Goose's Quarto: or Melodies Complete, printed in Boston, Massachusetts around 1825. [1]