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Sabine Meyer plays the clarinet and basset clarinet in B ♭ and A, as well as a basset horn in F, all made of grenadilla by Herbert Wurlitzer, and clarinets in B ♭ and in A made of boxwood, manufactured by Schwenk & Seggelke (now: Seggelke Klarinetten), which she mainly uses in chamber music. In 1984, Meyer commissioned Wurlitzer to build a ...
Presumably the Concertone was performed by the Salzburg court orchestra. Music with string solos was fashionable at the time, led by Mozart's employer Archbishop Colloredo, who himself played the violin. It was written before the 1775 violin concertos in Salzburg, and was first published in 1870 in Leipzig by August Cranz Hofmeister.
The concerto was written to be played on the basset clarinet, which can play lower notes than an ordinary clarinet, but after the death of Mozart it was published with changes to the solo part to allow performance on conventional instruments. The manuscript score is lost, but from the latter part of the 20th century onwards many performances of ...
Julian Bliss (born 1989) is a British clarinettist and clarinet designer. He has performed as a soloist, chamber and jazz musician, notably with his teacher Sabine Meyer. He also designed the Bliss Clarinet for instrument manufacturer Leblanc.
Violin Concerto No. 4 in D major, K. 218 (1775) Violin Concerto No. 5 in A major, "Turkish", K. 219 (1775) Mozart also wrote a concertone for two violins and orchestra, an adagio and two stand-alone rondos for violin and orchestra. Concertone for two Violins and Orchestra in C major, K. 190/186E (1774) Adagio for violin and orchestra in E major ...
Wolfgang Meyer (13 August 1954 – 17 March 2019) was a German clarinetist and professor of clarinet at the Musikhochschule Karlsruhe. He worked internationally as a soloist, in chamber music ensembles, and in jazz, with a repertoire from early music played on historical instruments to world premieres.
The modern clarinet did not exist before about 1700. There are, however, a number of concertos written for its antecedent, the chalumeau.. The discovery of six clarinet concertos by Johann Melchior Molter (1696–1765) — the first of which may date from 1743 [5] — and three concerti grossi for clarinet and oboe written by Antonio Vivaldi (1678–1741) as far back as 1711 [6] have led music ...
The clarinet joins in to finish. The major mode returns for the fourth variation, as does the main theme to the accompaniment of semiquaver virtuosity – given to the clarinet only in the first repeated half, first violin and clarinet in the second. There are four bars of dramatic interruption leading to a pause; the next variation is a ...
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