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Marquetry (also spelled as marqueterie; from the French marqueter, to variegate) is the art and craft of applying pieces of veneer to a structure to form decorative patterns or designs. The technique may be applied to case furniture or even seat furniture, to decorative small objects with smooth, veneerable surfaces or to freestanding pictorial ...
The earliest furniture designers under Louis XV during the Regency included Claude III Audran, who had been responsible for furniture design under Louis XIV; Pierre Lepautre, who in 1699 became chief designer for Louis XIV, and Gilles-Marie Oppenordt, born in Holland, who became the furniture designer for the Regent.
For the marquetry floor of the Cabinet Doré of the Grand Dauphin, he was paid 7500 livres; the dazzling interior was swept away in new redecorations after the Dauphin's death in 1711. [ 5 ] Lunsingh Scheurleer identified as Golle's a table and two guéridons en suite, veneered with pewter and brass marquetry, at Knole House , which were ...
Identification of some of Boulle's works based on the tell-tale refinements of the marquetry and the re-use of marquetry templates and characteristic boldly sculptured gilt-bronze mounts can at times be provenanced from three sets of images of furniture designs engraved by Boulle and published by his friend Pierre-Jean Mariette around 1720; [40 ...
Boulle work [1] (also known as buhl work) is a type of rich marquetry [2] process or inlay perfected by the French cabinetmaker André-Charles Boulle (1642–1732). [3] It involves veneering furniture with tortoiseshell inlaid primarily with brass and pewter in elaborate designs, often incorporating arabesques.
Robert Blake (active 1826–39) was the first of the Blake family of London cabinetmakers. [1] Blake is particularly known for his marquetry and for the ormolu-mounted commodes in tortoiseshell and ebony that he made in 1708–09, after a pair that André-Charles Boulle made for Louis XIV's Chamber at the Grand Trianon, on display in the New York Frick Collection. [2]
In the later Louis XIV period, under the influence of Boulle, marquetry became the dominant decoration of tables. A particularly fine example is a table by André-Charles Boulle , from 1670–80, which features marquetry made with an assortment of woods, plus pewter, brass, copper, horn, and tortoiseshell; it is now in the California Palace of ...
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