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The painting depicts the event described in Luke 8:22–25 in which the disciples in charge of the vessel were scared by the sudden storm and awoke a sleeping Jesus in their panic. Rembrandt's version is considered among the more accurate depictions of the event as described in the Bible. [ 3 ]
David and Goliath (Italian: Davide e Golia) is an oil painting by the Venetian painter Titian. It was made in about 1542–1544 for the church of Santo Spirito , but is now in the basilica of Santa Maria della Salute .
David is both physically delicate and remarkably effeminate. The head has been said to have been inspired by classical sculptures of Antinous, the favourite of the Emperor Hadrian, renowned for his beauty. The statue's physique, contrasted with the large sword in hand, shows that David has overcome Goliath not by physical prowess, but through God.
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David with the Head of Goliath is a painting by the Italian Baroque artist Caravaggio.It is housed in the Galleria Borghese, Rome. [1] The painting, which was in the collection of Cardinal Scipione Borghese [a] in 1650, [3] has been dated as early as 1605 and as late as 1609–1610, with more recent scholars tending towards the former.
Héliodore Pisan after Gustave Doré, "The Crucifixion", wood-engraving from La Grande Bible de Tours (1866). It depicts the situation described in Luke 23.. The illustrations for La Grande Bible de Tours are a series of 241 wood-engravings, designed by the French artist, printmaker, and illustrator Gustave Doré (1832–1883) for a new deluxe edition of the 1843 French translation of the ...
The David and Goliath in the Prado was painted in the early part of the artist's career, while he was a member of the household of Cardinal Francesco Maria Del Monte.It shows the Biblical David as a young boy (in accordance with the Bible story) fastening the head of the champion of the Philistines, the giant Goliath, by the hair.
The Supper at Emmaus is a painting by the Italian Baroque master Caravaggio, executed in 1601, and now in London. It depicts the Gospel story of the resurrected Jesus's appearance in Emmaus. Originally this painting was commissioned and paid for by Ciriaco Mattei, brother of cardinal Girolamo Mattei.