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However, there is a type of crossover called the LR4 or LR2 crossover, which has certain unique features that make time-alignment worthwhile for speakers that use it. This particular crossover has the property that at the crossover frequency the electrical summing is flat (i.e., there is no peak or dip) and the signals being sent to the woofer ...
[4] [2] Home cinema 5.1 surround sound audio systems use a crossover that separates out the very-low frequency signal, so that it can be sent to a subwoofer, and then sending the remaining low-, mid- and high-range frequencies to five speakers which are placed around the listener. In a typical application, the signals sent to the surround ...
Acoustic lobing refers to the radiation pattern of a combination of two or more loudspeaker drivers at a certain frequency, as seen looking at the speaker from its side.In most multi-way speakers, it is at the crossover frequency that the effects of lobing are of greatest concern, since this determines how well the speaker preserves the tonality of the original recorded content.
Bi-amping - An active crossover with two amplifiers.. Bi-amping and tri-amping is the practice of using two or three audio amplifiers respectively to amplify different audio frequency ranges, with the amplified signals being routed to different speaker drivers, such as woofers, subwoofers and tweeters.
In the diagram, a 60 Hz crossover frequency has been illustrated, but this can typically vary between 40 and 80 Hz. The LFE channel is a separate channel that contains low frequencies only, and it was originally added to magnetic 70mm-movie soundtracks in the 1970s, to be reproduced through subwoofers. [5]
The midwoofer-tweeter-midwoofer loudspeaker configuration (called MTM, for short) was a design arrangement from the late 1960s that suffered from serious lobing issues that prevented its popularity until it was perfected by Joseph D'Appolito as a way of correcting the inherent lobe tilting of a typical mid-tweeter (MT) configuration, at the crossover frequency, unless time-aligned. [1]
This system has a characteristic mass and stiffness, and a resonant frequency at which the system will vibrate freely. This frequency is known as the free-space resonance of the loudspeaker and is designated by F s. At this frequency, the voice coil is vibrating in the speaker's magnetic field with maximum peak-to-peak amplitude and velocity.
A crossover network, set at 500 Hz, remains necessary to adjust for back-to-front interference causing loss in output at low frequencies. [18] In addition, the speaker should stand in free space to achieve optimum sound.
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