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Portato is a bowing technique for stringed instruments, [3] in which successive notes are gently re-articulated while being joined under a single continuing bow stroke. It achieves a kind of pulsation or undulation, rather than separating the notes.
The opposite musical articulation of staccato is legato, signifying long and continuous notes. [6] There is an intermediate articulation called either mezzo staccato or non legato . For wind and bowed string instruments in particular, staccato is often also associated with a faster attack, potentially involving a different bowing or tonguing ...
bow: Cancels col legno and pizzicato. (In any string passage, arco is usually expected, as it is the "default" approach; it is only ever written at the end of col legno or pizzicato passages.) Arpeggio: harp-like: A chord with the notes spread out in time (rather than sounded simultaneously) Basso continuo: continuous bass
Spiccato [spikˈkaːto] is a bowing technique for string instruments in which the bow appears to bounce lightly upon the string. The term comes from the past participle of the Italian verb spiccare, meaning "to separate". The terms martelé, saltando, and sautillé describe similar techniques. [1
Legato is formed by letting the string vibrate without stopping or muting it so the note slurs with the consecutive ones. Staccato is another very common musical articulation found in music. This action is caused by the player plucking, bowing, or picking the note and immediately muting the note so it is shorter than normal.
In the past this marking's meaning was more ambiguous—it was sometimes used interchangeably with staccato and sometimes indicated an accent and not a shortened note. These usages are now almost defunct but still appear in some scores. For string instruments this indicates a bowing technique in which the bow bounces lightly upon the string. Tenuto
"spoken singing", expressionist vocal technique denoting pitched speaking. Used most notably in the compositions of Arnold Schoenberg such as Pierrot lunaire. spianato Smooth, even spiccato Distinct, separated (i.e. a way of playing the violin and other bowed instruments by bouncing the bow on the string, giving a characteristic staccato effect ...
Two ways in which the martelé bowstroke is commonly notated. An excerpt from Dotzauer's cello étude no. 6, played with martelé bowing. Martelé (French pronunciation: [maʁt(ə)le]; literally meaning "hammered") [1] [2] is a percussive bow stroke used when playing bowed string instruments, though the Italian martellando and martellato are also applied to piano and vocal technique, and even ...