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The tone is fatter and usually regarded as more mellow and dark than the trumpet or cornet. The sound of the flugelhorn has been described as halfway between a trumpet and a French horn, whereas the cornet's sound is halfway between a trumpet and a flugelhorn. [6] The flugelhorn is as agile as the cornet but more difficult to control in the ...
The sounds of the cornet and trumpet have grown closer together over time, and the former is now rarely used as an ensemble instrument: [14] in the first version of his ballet Petrushka (1911), Stravinsky gives a celebrated solo to the cornet; in the 1946 revision, he removed cornets from the orchestration and instead assigned the solo to the ...
High brass - from the top left: Baroque trumpet in D, modern trumpets in B ♭ and D (same pitch D as Baroque), piccolo trumpet in high B ♭, Flugelhorn in B ♭; right: cornet in B ♭. The pitch of a brass instrument corresponds to the lowest playable resonance frequency of the open instrument. The combined resonances resemble a harmonic ...
This family includes all of the modern brass instruments except the trombone: the trumpet, horn (also called French horn), euphonium, and tuba, as well as the cornet, flugelhorn, tenor horn (alto horn), baritone horn, sousaphone, and the mellophone. As valved instruments are predominant among the brasses today, a more thorough discussion of ...
This mouthpiece usually has a deep cup, like that of the flugelhorn, and has a wider inner diameter than a trumpet mouthpiece. These mouthpieces give the mellophone a dark, round sound. Some trumpet players who double on mellophone use a trumpet-style parabolic ("cup") mouthpiece on the instrument, resulting in a much brighter, more trumpet ...
It has a bore that is mostly conical, like the flugelhorn and euphonium, [2] and normally uses a deep, cornet-like mouthpiece. It is most commonly used in British brass bands, and Mexican banda music whereas the French horn tends to take the corresponding parts in concert bands and orchestras. However, the tenor horn has occasionally been used ...
A notable appearance on soundtrack for Baker was a long hot trumpet solo mimed by Kay Kendall (who like Baker was a native of Withernsea, a small Yorkshire coastal town) in the 1954 film Genevieve. He regularly emerged to play at jazz clubs often with co-trumpeter John McLevey.
[11] It was popular in Germany, where trumpet-playing was restricted to professional trumpet guild members. [12] As well, the mute cornett variant was a quiet instrument, playing "gentle, soft and sweet." [13] The cornett is not to be confused with the modern cornet, a valved brass instrument with a separate origin and development. [12]
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