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These works depict the American wood sculptor William Rush in 1808, carving his statue Water Nymph and Bittern for a fountain at Philadelphia's first waterworks. The water nymph is an allegorical figure representing the Schuylkill River , which provided the city's drinking water, and on her shoulder is a bittern , a native waterbird related to ...
Hylas and the Nymphs is an 1896 oil painting by John William Waterhouse.The painting depicts a moment from the Greek and Roman legend of the tragic youth Hylas, based on accounts by Ovid and other ancient writers, in which the enraptured Hylas is abducted by Naiads (female water nymphs) while seeking drinking water.
Hylas is also mentioned in Christopher Marlowe's play Edward II: "Not Hylas was more mourned for of Hercules / Than thou hast been of me since thy exile" (Act I, Scene I, line 142-3). Oscar Wilde mentions Hylas at least six times in his published works.
Calypso, one of the Oceanids, the 3,000 water nymph daughters of the Titans Oceanus and his sister-wife Tethys. [1] [5] She was, along with several of her sisters, one of the companions of Persephone when the maiden was abducted by Hades, the god of the Underworld. [6] Her name may signify 'the sheltering cave'. [7]
A young Sicilian fisherman slipping asleep down a rock into the tide is grasped round the neck by a water-nymph. He is swarthy in complexion, with dark curly hair, and nude save only for a crimson loin-cloth, his purple drapery being cast aside upon the grey rocks. The nymph is nude and blonde; her long, wavy brown hair is laced with pearls. [2]
The nymph Salmacis raped Hermaphroditus and fused with him when he tried to escape. The water nymph associated with particular springs was known all through Europe in places with no direct connection with Greece, surviving in the Celtic wells of northwest Europe that have been rededicated to Saints, and in the medieval Melusine .
Hence, as water is a necessity to all the creation, the water nymphs, along with the gods Dionysus and Demeter, were also worshiped as providing life and blessings to all existing beings and this attribute is manifested by a diversity of epithets. [2] Potamides in a river. Nymphes au bain by Auguste G. L. Desnoyers, 1830.
The Nymph Salmacis and Hermaphroditus by François-Joseph Navez (1829) A painting of Salmacis in 1877 by French artist Charles Landelle was one of the most admired works at the Paris Exhibition according to The Art Journal of 1878. The painting depicts a startled Salmacis seated among reeds, clutching her drapery to her chest in alarm. [11]