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" Jesu, meine Freude" ([ˈjeːzu ˈmaɪnə ˈfʁɔʏdə]; Jesus, my joy) is a hymn in German, written by Johann Franck in 1650, [1] with a melody, Zahn No. 8032, by Johann Crüger. The song first appeared in Crüger's hymnal Praxis pietatis melica in 1653. The text addresses Jesus as joy and support, versus enemies and the vanity of existence.
Jahn's verses [7] [8] express a close, friendly, and familiar friendship with Jesus, who gives life to the poet. It has been noted that the original German hymn was characteristically a lively hymn of praise, which is carried over somewhat into Bach's arrangement; whereas a slower, more stately tempo is traditionally used with the English version.
Jesu, meine Freude (Jesus, my joy), BWV 227, is a motet by Johann Sebastian Bach. The longest and most musically complex of Bach's motets, it is set in eleven movements for up to five voices. It is named after the Lutheran hymn " Jesu, meine Freude" with words by Johann Franck, first published in 1653.
The King James Version of verse 34 from this chapter is cited as texts in the English-language oratorio "Messiah" by George Frideric Handel (HWV 56). [30] Verse 1–2 and 9–11 are cited as words in some movements of Jesu, meine Freude ("Jesus, my joy"), a motet by Johann Sebastian Bach. [43]
The King James Version adopted the wording "I go my way" for this verse. [12] William Robertson Nicoll comments that the disciples' failure to ascertain clearly where Jesus was going reflected their absorption with "the thought of His departure and its consequences of bereavement [for] themselves". [13]
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