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Poems of the Past and the Present is the second collection of poems by English poet Thomas Hardy, and was published in 1901. A wide-ranging collection, divided into five headings, it contains some of Hardy's most powerful and lasting poetic contributions.
Love Is Not All: It Is Not Meat nor Drink is a 1931 poem by Edna St. Vincent Millay, written during the Great Depression. [1]The poem was included in her collection Fatal Interview, a sequence of 52 sonnets, appearing alongside other sonnets such as "I dreamed I moved among the Elysian fields," and "Love me no more, now let the god depart," rejoicing in romantic language and vulnerability. [2]
The poem discusses the idea of time and the concept that only the present moment really matters because the past cannot be changed and the future is unknown. [ 21 ] In Part I, this meditative poem begins with the narrator trying to focus on the present moment while walking through a garden, focusing on images and sounds like the bird, the roses ...
William Wordsworth (7 April 1770 – 23 April 1850) was an English Romantic poet who, with Samuel Taylor Coleridge, helped to launch the Romantic Age in English literature with their joint publication Lyrical Ballads (1798).
Before the poem's publication as a book in December 1922, Eliot distanced himself from its vision of despair. On 15 November 1922, he wrote to Richard Aldington, saying, "As for The Waste Land, that is a thing of the past so far as I am concerned and I am now feeling toward a new form and style." [73]
Life Studies is the fourth book of poems by Robert Lowell. Most critics (including Helen Vendler, Steven Gould Axelrod, Adam Kirsch, and others) consider it one of Lowell's most important books, and the Academy of American Poets named it one of their Groundbreaking Books. [1] Helen Vendler called Life Studies Lowell's "most original book."
The Romantic movement in English literature of the early 19th century has its roots in 18th-century poetry, the Gothic novel and the novel of sensibility. [6] [7] This includes the pre-Romantic graveyard poets from the 1740s, whose works are characterized by gloomy meditations on mortality, "skulls and coffins, epitaphs and worms". [8]
The poems have been described by critics as sweet, and being filled with the emotions of falling in love with love and life. [11] [9] "The breaking" brings the reader back to a dark place in the author's life. These poems relate to Kaur's sad feeling after a breakup. [11]
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