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Joan the Maid (French: Jeanne la pucelle) is a 1994 French historical film directed by Jacques Rivette. Chronicling the life of Joan of Arc from the French perspective, it was released in two parts: Joan the Maid, Part 1: The Battles ( French : Les Batailles ) and Joan the Maid, Part 2: The Prisons ( French : Les Prisons ).
Jeannette: The Childhood of Joan of Arc; Joan of Arc (2019 film) Joan of Arc (1900 film) Joan of Arc (1935 film) Joan of Arc (1948 film) Joan of Arc (miniseries) Joan of Arc at the Stake; Joan the Maid; Joan the Woman
Saint Joan the Maid or The Marvellous Life of Joan of Arc (French: La merveilleuse vie de Jeanne d'Arc) is a 1929 French-German silent historical drama film directed by Marco de Gastyne and starring Simone Genevois, Fernand Mailly and Georges Paulais.
Retrieved from "https://en.wikipedia.org/w/index.php?title=Joan_the_Maiden,_Part_2:_The_Prisons&oldid=915593524"
Joan the Woman is a 1916 American epic silent drama film directed by Cecil B. DeMille and starring Geraldine Farrar as Joan of Arc. The film premiered on Christmas Day in 1916. This was DeMille's first historical drama. The screenplay is based on Friedrich Schiller's 1801 play Die Jungfrau von Orleans (The Maid of Orleans). [3]
Saint Joan (also called Bernard Shaw's Saint Joan) is a 1957 historical drama film adapted from the 1923 George Bernard Shaw play of the same title about the life of Joan of Arc. The restructured screenplay by Graham Greene , directed by Otto Preminger , begins with the play's last scene, which then becomes the springboard for a long flashback ...
"Joan of Arc" is a 1981 song by English electronic band Orchestral Manoeuvres in the Dark (OMD), released as the second single from their third studio album Architecture & Morality. It was well-received by critics and became a hit in the British Isles, reaching number 5 in the UK and number 13 in Ireland.
Joan of Arc (German: Das Mädchen Johanna) is a 1935 German historical drama film directed by Gustav Ucicky and starring Angela Salloker, Gustaf Gründgens and Heinrich George. It depicts the life of Joan of Arc, and is the first female embodiment of the Nazi Führer figure in film. The press in Germany and abroad detected direct parallels ...