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English: A complete copper alloy brooch of early Early-Medieval date. The brooch is annular with a narrow D-shaped section which flattens at opposing points on the frame to form integral decorative conjoined zoomorphic heads. One pair is in the form of open-mouthed beasts with ring-and-dot motifs representing eyes.
The broad-framed was a smaller brooch with a wider frame than the typical annular brooch. The chunkier annular is uncommon. It has a thicker oval frame and cast decoration with diagonally marked edges. Scholars have been unable to date these brooches beyond a range of late fifth to early eighth century. The late Anglo-Saxon annular brooches ...
"Annular" means formed as a ring and "penannular" formed as an incomplete ring; both terms have a range of uses. "Pseudo-penannular" is a coinage restricted to brooches, and refers to those brooches where there is no opening in the ring, but the design retains features of a penannular brooch—for example, emphasizing two terminals.
The ring, or annular, fibula or brooch is extremely hard to date as the design for utilitarian pieces was almost unchanged from the 2nd to the 14th centuries AD. If there is decoration, this is likely to indicate whether a given ring fibula is Roman-era fibula or a medieval brooch.
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Barbarian jewelry of the Migration Period is one of the most common forms of surviving art from their cultures, and the personal adornment of the elite was clearly considered of great importance, for men as well of women. Large jeweled fibula brooches, worn singly (with a cloak) or in pairs (for many types of women's dress) on the chest were ...
Brooch styles were predominantly circular by the middle to late Anglo-Saxon era. During this time period, the preferred styles were the annular and jewelled (Kentish) disc brooch styles. The circular forms can be divided generally into enamelled and non-enamelled styles. [15] A few non-circular style were fashionable during the 8th to 11th ...
The Kilmainham Brooch is usually dated to the late 8th or early 9th centuries as it is seen as transitional in both style and material. Its annular form and use of filigree place it in the 8th-century Irish tradition, while its use of silver, as opposed to gilding, indicates at earliest an early 9th-century origin, that is in the period after the 795 AD Viking invasions of Ireland, when silver ...