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The Lord whom ye seek shall suddenly come to His temple: Acc. B: Haggai 2:6–7 Malachi 3:1: Haggai, splendor of the temple Malachi, the coming messenger: 6: But who may abide the day of His coming for he is like a refiner's fire: Air A: Malachi 3:2: 7: And He shall purify the sons of Levi: chorus: Malachi 3:3: Scene 3: 8: Behold, a virgin ...
[5] [6] The imagery of shepherd and lamb features prominently in many movements, for example: in the aria "He shall feed His flock like a shepherd" (the only extended piece to talk about the Messiah on earth), in the opening of Part II ("Behold the Lamb of God"), in the chorus "All we like sheep", and in the closing chorus of the work ("Worthy ...
Then shall the eyes of the blind be opened (secco recitative for soprano or alto) He shall feed his flock like a shepherd (alto or soprano) His yoke is easy (duet chorus) Part II. Scene 1: Christ's Passion Behold the Lamb of God (chorus) He was despised and rejected of men (alto) Surely he hath borne our griefs and carried our sorrows (chorus)
Approach chord; Chord names and symbols (popular music) Chromatic mediant; Common chord (music) Diatonic function; Eleventh chord; Extended chord; Jazz chord; Lead sheet; List of musical intervals; List of pitch intervals; List of musical scales and modes; List of set classes; Ninth chord; Open chord; Passing chord; Primary triad; Quartal chord ...
A chord chart. Play ⓘ. A chord chart (or chart) is a form of musical notation that describes the basic harmonic and rhythmic information for a song or tune. It is the most common form of notation used by professional session musicians playing jazz or popular music.
Pressing a key on the keyboard makes the instrument produce sounds—either by mechanically striking a string or tine (acoustic and electric piano, clavichord), plucking a string (harpsichord), causing air to flow through a pipe organ, striking a bell , or activating an electronic circuit (synthesizer, digital piano, electronic keyboard).
Triads (or any other tertian chords) are built by superimposing every other note of a diatonic scale (e.g., standard major or minor scale). For example, a C major triad uses the notes C–E–G. This spells a triad by skipping over D and F. While the interval from each note to the one above it is a third, the quality of those thirds varies ...
The chord had been found in earlier works, [3] notably Beethoven's Piano Sonata No. 18, but Wagner's use was significant, first because it is seen as moving away from traditional tonal harmony and even towards atonality, and second because with this chord Wagner actually provoked the sound or structure of musical harmony to become more ...
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