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Relative pitch is the ability of a person to identify or re-create a given musical note by comparing it to a reference note and identifying the interval between those two notes. For example, if the notes Do and Fa are played on a piano, a person with relative pitch would be able to identify the second note from the first note given that they ...
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The Gospel According to Matthew & Michael is an album by American jazz pianist Matthew Shipp, which was recorded in 2014 and released on Relative Pitch.It was the first recording featuring his Chamber Ensemble, a trio with Michael Bisio on bass and Mat Maneri on viola.
It was recorded on December 19, 2018, at Firehouse 12 Studios in New Haven, Connecticut, and was released in 2019 by Relative Pitch Records. [1] [2] Geometry of Distance was the second in a series of albums by the quartet. It was preceded by Geometry of Caves (2016 [2018]), and was followed by Geometry of Trees (2021 [2022]). [3] [4]
Some music teachers teach their students relative pitch by having them associate each possible interval with the first interval of a popular song. [1] Such songs are known as "reference songs". [ 2 ] However, others have shown that such familiar-melody associations are quite limited in scope, applicable only to the specific scale-degrees found ...
Topics about Relative Pitch Records albums in general should be placed in relevant topic categories This category contains studio albums released on the Relative Pitch Records label. Please move any non-studio albums to an appropriate subcategory per WikiProject Albums guidelines .
Relative Pitch Records is an American independent record label specializing in free jazz and avant-garde jazz, free improvisation, and experimental music. [1] [2] Run by Kevin Reilly, [1] Relative Pitch has been ranked among the top jazz record labels in The New York City Jazz Record [3] [4] and DownBeat [5] year-end lists, and praised by publications and organizations including The Guardian ...
Absolute pitch (AP), often called perfect pitch, is the ability to identify or re-create a given musical note without the benefit of a reference tone. [1] [2] AP may be demonstrated using linguistic labelling ("naming" a note), associating mental imagery with the note, or sensorimotor responses.