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The Dead Christ with Angels is an 1864 oil painting by French painter Édouard Manet. The painting depicts the biblical story of Mary Magdalene entering the tomb of Jesus and seeing two angels but finding Jesus's body missing. [1] [2] It is now in the Metropolitan Museum of Art in New York City.
Dead Christ (Palmezzano) The Dead Christ Adored by Saint Jerome and Saint Dorothy; The Dead Christ Supported by the Virgin and Saint John; Dead Christ Supported by Two Angels (Bellini, Berlin) Dead Christ Supported by Two Angels (Bellini, Venice) The Dead Christ with Angels; Death of the Virgin (van der Goes) Death of the Virgin Mary of Košátky
Pietà or The Dead Christ Supported by the Virgin Mary and Saint John the Evangelist is a painting in tempera on panel of c. 1465–1470 by the Italian Renaissance artist Giovanni Bellini, now in the Pinacoteca di Brera in Milan.
The Dead Christ with Angels or Four Angels Lamenting the Dead Christ is an oil on panel painting by Rosso Fiorentino, executed c. 1525–1526, now in the Museum of Fine Arts in Museum of Fine Arts, in Boston.
The Lamentation of Christ is a topic in Christian religious art, especially popular in the High Medieval, Renaissance, and Baroque periods, which depicts the moment of mourning following the Crucifixion and lowering of Christ's body from the cross. Mantegna's variant includes some aspects commonly associated with the scene, including the ...
Christ and the Penitent Sinners; Christ Falling on the Way to Calvary; Christ in Glory with Saints and Odoardo Farnese; Christ Leaving the Praetorium; Christ on the Cross (Delacroix) Christ's Appearance to Mary Magdalene after the Resurrection; The Conversion of Mary Magdalene; Coronation of the Virgin (Beccafumi) Coronation of the Virgin ...
Christ and the Virgin Diptych; Christ Appearing to his Mother after his Resurrection; Christ Bearing the Soul of the Virgin; Christ enthroned with the Virgin and St John; Christ Falling on the Way to Calvary; Christ Leaving the Praetorium; Christ on the Cross (Delacroix) Christ on the Cross (Rubens) Christ on the Cross with the Virgin and Saint ...
Behind her, the young woman is looking across at the older woman, who looks back with arms outstretched, forming a second diagonal with the brightly clothed Mary Magdalene, whose gaze is also directed back towards the dead body of Christ. The painting is heavily influenced by Correggio's Lamentation (c. 1524) in Parma, which has a similar ...