Search results
Results from the WOW.Com Content Network
The plural may be used to emphasise the plurality of the attribute, especially in British English but very rarely in American English: a careers advisor, a languages expert. The plural is also more common with irregular plurals for various attributions: women killers are women who kill, whereas woman killers are those who kill women.
The word limma or leimma (from Greek: λείμμα, leimma; meaning "remnant") can refer to several different musical intervals, and one form of breath-mark to indicate spacing within lyrics; their only common property is that all are very small either in pitch difference or in time.
Note: sordina, with plural sordine, is strictly correct Italian, but the forms sordino and sordini are much more commonly used in music. Instruments can have their tone muted with wood, rubber, metal, or plastic devices (for string instruments, mutes are clipped to the bridge; for brass instruments, mutes are inserted in the bell), or parts of ...
Lemma (morphology), the canonical, dictionary or citation form of a word; Lemma (psycholinguistics), a mental abstraction of a word about to be uttered;
In morphology and lexicography, a lemma (pl.: lemmas or lemmata) is the canonical form, [1] dictionary form, or citation form of a set of word forms. [2] In English, for example, break , breaks , broke , broken and breaking are forms of the same lexeme , with break as the lemma by which they are indexed.
Burnside's lemma also known as the Cauchy–Frobenius lemma; Frattini's lemma (finite groups) Goursat's lemma; Mautner's lemma (representation theory) Ping-pong lemma (geometric group theory) Schreier's subgroup lemma; Schur's lemma (representation theory) Zassenhaus lemma
In mathematics and other fields, [a] a lemma (pl.: lemmas or lemmata) is a generally minor, proven proposition which is used to prove a larger statement. For that reason, it is also known as a "helping theorem " or an "auxiliary theorem".
This page contains naming conventions for music-related articles, covering both classical musical works and popular bands, albums and songs. The first step for disambiguating classical compositions is rather a reference to their composer, while popular music is rather disambiguated by a type qualifier.