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Worship music KMXK: 94.9 FM: Cold Spring: Townsquare Media Licensee of St. Cloud, Inc. Hot adult contemporary KNBJ: 91.3 FM: Bemidji: Minnesota Public Radio: News Talk Information KNCM: 91.3 FM: Appleton: Minnesota Public Radio: News Talk Information KNGA: 90.5 FM: St. Peter: Minnesota Public Radio: News Talk Information KNLW-LP: 98.9 FM ...
The station dropped the "Spot" moniker and transitioned to a broader hot adult contemporary format in August 2002, and flipped to adult hits in 2006. [3] From April 2006 to July 2008, KDOG simulcasted on sister station KNSG in Springfield, Minnesota , [ 4 ] which serves Redwood Falls and Marshall .
KMXK (94.9 FM) is a commercial radio station in St. Cloud, Minnesota airing a hot adult contemporary format. The station is owned by Townsquare Media. The station's studios, along with Townsquare's other St. Cloud stations, are located at 640 Lincoln Avenue SE, on St. Cloud's east side. The transmitter is located south of Cold Spring. [2]
K273BH (102.5 FM, "Hot 102.5") is a translator broadcasting the mainstream urban format of the HD3 subcarrier of iHeartMedia's KTCZ-FM. Licensed to Fridley, Minnesota, it serves the Minneapolis–Saint Paul metropolitan area inside the I-494/I-694 beltway. The station is currently owned by iHeartMedia, through licensee iHM Licenses, LLC.
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In the summer of 1992, KJJO announced it would switch back to country music, which was increasing in popularity, amid a large outcry from KJ104's dedicated modern rock fans. [ 10 ] [ 11 ] At 6 a.m. on September 8, after signing off the modern rock format by playing " It's the End of the World as We Know It (And I Feel Fine) " by R.E.M ...
The next morning, 99.5 became the new home of KSJN, and began playing classical music 24 hours a day. [23] The KNOW call sign, along with all NPR news and talk programming, moved to 91.1. On March 11, the KSJN call letters officially moved to 99.5 FM. Meanwhile, the KNOW-FM call sign was instituted on 91.1 FM.
Prince's management team offered First Avenue $100,000 to use the mainroom for filming in late November into December 1983, with the clause that the Entry would remain open. Most of the club's employees were extras in the film. The production gave the club its patch panel and dimmer packs. McClellan feared the audience had changed from genuine ...