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"Sonnet X", also known by its opening words as "Death Be Not Proud", is a fourteen-line poem, or sonnet, by English poet John Donne (1572–1631), one of the leading figures in the metaphysical poets group of seventeenth-century English literature. Written between February and August 1609, it was first published posthumously in 1633.
"A Valediction: Forbidding Mourning" is a metaphysical poem by John Donne. Written in 1611 or 1612 for his wife Anne before he left on a trip to Continental Europe, "A Valediction" is a 36-line love poem that was first published in the 1633 collection Songs and Sonnets, two years after Donne's death.
Handwritten draft of Donne's Sonnet XIV, "Batter my heart, three-person'd God", likely in the hand of Donne's friend, Rowland Woodward, from the Westmoreland manuscript (circa 1620) The Holy Sonnets —also known as the Divine Meditations or Divine Sonnets —are a series of nineteen poems by the English poet John Donne (1572–1631).
Sonnet II", also known by its opening words as "As Due By Many Titles", is a poem written by John Donne, who is considered to be one of the representatives of the metaphysical poetry in English literature. It was first published in 1633, two years after Donne’s death. It is included in the Holy Sonnets – a
There is no scholarly consensus regarding the structure of Holy Sonnet XIV; different critics refer to particular parts of this poem either as an octave and a sestet (following the style of the Petrarchan sonnet, with a prominent example being Robert H. Ray's argument [4]), three quatrains and a couplet (the division established by the English sonnet, an example being an article by ...
John Donne (/ d ĘŚ n / DUN; 1571 or 1572 [a] – 31 March 1631) was an English poet, scholar, soldier and secretary born into a recusant family, who later became a cleric in the Church of England. [2]
The Song: Go and Catch a Falling Star, also known simply as Song, is a poem by John Donne, one of the leading English metaphysical poets.Probably first passed round in manuscript during the final decade of the 16th century, it was not published until the first edition of Donne's collected poems in 1633 - two years after the poet's death. [2]
"The Good-Morrow", although identified by Donne as a sonnet, does not follow this structural layout, although it does follow the thematic one; Donne used "sonnet" simply to refer to any piece of love poetry, ignoring the fact that "The Good-Morrow" was a 21-line work divided into three stanzas. [8]