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The guitar, minus the amp-in-case, was reissued by Evets Corporation for 2008 as the Dano '63. It is not an exact copy, but updated with modern materials and construction methods. [ 5 ] From 1999 to 2002, Evets Corp. also marketed an "Amp-in-Bag" gig bag accessory for its line of Danelectro retro-design reissue guitars.
Mesa-Boogie Mark IV, a guitar combo amplifier. A guitar amplifier (or amp) is an electronic device or system that strengthens the electrical signal from a pickup on an electric guitar, bass guitar, or acoustic guitar so that it can produce sound through one or more loudspeakers, which are typically housed in a wooden cabinet.
1110 Combo, a combination amplifier/speaker unit comprising a GP11 pre-amplifier, V5 mosfet amplifier and 4 x 10” bass cabinet. 1048H Successor to the world's first dedicated 4 x 10” bass cabinet. BLX-80 a compact 80 watt bass combo with an innovative back-of-cabinet mounted 10" speaker and a full-featured GP7 pre-amp section.
Fender amplifiers would become favorites of guitarists like Jimi Hendrix, Eric Clapton, and Stevie Ray Vaughan, also known in these cases for playing Fender guitars. Fender amps have come in many configurations and styles. The early K&F and Fender amplifiers relied upon vacuum tube circuitry, with solid-state models appearing in the late 1960s ...
In the early 2000s, the company worked with Bruce Egnater of Egnater Amplification to create the MTS (Modular Tube System) series of guitar amplifiers. These involve a single amp head consisting of the power amp and part of a preamp, and slots in the head (one for the RM20 head and combo, two for the RM50 head and combo and RM22 head, and 3 for the RM100 head and RM100C combo, and 12 for the ...
This article lists manufacturers of bass amplifiers, loudspeakers, and other amplification-related items such as preamplifiers. The amplifiers and loudspeakers used to amplify bass instruments (e.g., the bass guitar, double bass and similar instruments) are distinct from other types of amplification systems due to the particular challenges associated with low-frequency sound reproduction.
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