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The Boehm system for the clarinet is a system of clarinet keywork, developed between 1839 and 1843 by Hyacinthe Klosé and Auguste Buffet jeune.The name is somewhat deceptive; the system was inspired by Theobald Boehm's system for the flute, but necessarily differs from it, since the clarinet overblows at the twelfth rather than the flute's octave.
The orchestra frequently includes two clarinetists, each usually equipped with a B ♭ and an A clarinet, and clarinet parts commonly alternate between the instruments. [91] In the 20th century, Igor Stravinsky , Richard Strauss , and Gustav Mahler employed many different clarinets, including the E ♭ or D soprano clarinets, basset horn , bass ...
In March 2006, the newly developed basset horn was awarded the Bavarian State Prize, after S & S already received a design award in 2004. [12] Instead of the usual metal bow between the mouthpiece and the upper joint, the instrument is equipped with a normal barrel and a bent connecting piece between the barrel and the upper joint each made of wood.
The clarinet family is a woodwind instrument family of various sizes and types of clarinets, including the common soprano clarinet in B♭ and A, bass clarinet, and sopranino E♭ clarinet. Clarinets that aren't the standard B♭ or A clarinets are sometimes known as harmony clarinets.
The following are lists of makers of clarinets, clarinet mouthpieces, clarinet ligatures, and clarinet reeds. Note that some of the following are simply brands for instruments from original equipment manufacturers.
The invention of the alto clarinet has been attributed to Iwan Müller and to Heinrich Grenser, [2] and to both working together. [3] Müller was performing on an alto clarinet in F by 1809, one with sixteen keys at a time when soprano clarinets generally had no more than 10–12 keys; Müller's revolutionary thirteen-key soprano clarinet was developed soon after. [3]
The contra-alto clarinet [2] is largely a development of the 2nd half of the 20th century, although there were some precursors in the 19th century: . In 1829, Johann Heinrich Gottlieb Streitwolf [], an instrument maker in Göttingen, introduced an instrument tuned in F in the shape and fingering of a basset horn, which could be called a contrabasset horn because it played an octave lower than it.
The music was originally performed by a quartet of two violins (the brothers Johann and Josef Schrammel), a contraguitar, and the G clarinet played by Georg Dänzer. It was first recorded by players of the Vienna Philharmonic, with principal clarinet Richard Schönhofer playing the high G clarinet, after the original parts were found in the 1960s.