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[note 1] B was designed for recursive, non-numeric, machine-independent applications, such as system and language software. [3] It was a typeless language, with the only data type being the underlying machine's natural memory word format, whatever that might be. Depending on the context, the word was treated either as an integer or a memory ...
seq {for b in 0.. 25 do if b < 15 then yield b * b} forms a sequence of squares of numbers from 0 to 14 by filtering out numbers from the range of numbers from 0 to 25. Sequences are generators – values are generated on-demand (i.e., are lazily evaluated ) – while lists and arrays are evaluated eagerly.
B-flat minor is traditionally a 'dark' key. [ 1 ] The old valveless horn was barely capable of playing in B-flat minor: the only example found in 18th-century music is a modulation that occurs in the first minuet of Franz Krommer 's Concertino in D major , Op. 80.
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The character's Unicode names in English are double s, [1] sharp s [2] and eszett. [2] The Eszett letter is currently used only in German , and can be typographically replaced with the double-s digraph ss , if the ß-character is unavailable.
When an open-note C-string is struck, its harmonic sequence begins with the notes (C,C,G,C,E,G,B♭,C). [3] [4] This overtone-series tuning was modified by Mick Ralphs, who used a high C rather than the high G for "Can't Get Enough" on Bad Company. Ralphs said, "It needs the open C to have that ring," and "it never really sounds right in ...
[1] Few large-scale works in B major exist: these include Haydn's Symphony No. 46. The aria "La donna è mobile" from Verdi's opera Rigoletto is in the key, as is the "Flower Duet" from Lakmé. Schubert's Piano Sonata, D. 575 and Dvořák's Nocturne Op. 40 are in B major. Brahms's Piano Trio No. 1, Op. 8, is in B major, though the piece ends in ...
Enharmonic scale on C. [3] In music theory, an enharmonic scale is a very ancient Greek musical scale which contains four notes tuned to approximately quarter tone pitches, bracketed (as pairs) between four fixed pitches. [4] For example, in modern microtonal notation, one of the several enharmonic scales aligned with the conventional key of C ...