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Nunsploitation, along with nazisploitation, is a subgenre that ran a parallel course alongside women in prison films in the 1970s and 1980s. As with prison films, they are set in isolated, fortress-like convents where the all-female population turns to lesbianism and perversity. The element of religious guilt allows for lurid depictions of ...
The film belongs to the 'nunsploitation' subgenre. It contains strong scenes of graphic violence relating to demonic possession and is among few films containing original hardcore pornography that already passed Italian censorship in 1979 and were projected in some Italian cinemas.
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Killer Nun has been aligned with the nunsploitation genre, which centres on aberrant secularised behaviour from religious women. Unlike other examples of the genre, usually set in medieval or Renaissance locations, Killer Nun is firmly set in the present day, and has no pretensions to social commentary or any remarks about the role of religious women within the Church or the larger society.
If nuns make you nervous, you’re not alone. Whether it’s their distinctive religious attire, their unwavering devotion to a higher power, or their reputation for meting out corporal punishment ...
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The life of Sister Virginia Maria has been popularized in many films, most of which are examples of the nunsploitation subgenre. La monaca di Monza, a 1962 Italian historical drama directed by Carmine Gallone, starring Giovanna Ralli.
Cloistered Nun: Runa's Confession (修道女ルナの告白, Shudojo Runa no kokuhaku) (1976) is a Japanese pink film in the nunsploitation genre starring pop singer Luna Takamura, directed by Masaru Konuma and produced by Nikkatsu.