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"The Rhythm of Life" is a song from the 1966 Broadway musical Sweet Charity, written by composer Cy Coleman and lyricist Dorothy Fields. In the musical, the song is performed by the character Big Daddy, the leader of an alternative " hippie " religious group/cult called the "Rhythm of Life Church."
The Rhythm of Life Church turns out to be a thin veneer on hippie culture ("The Rhythm of Life"). A police raid breaks up the meeting. Traveling home on the subway, Oscar proposes another date and tries to guess Charity's job, deciding that she works in a bank. Charity lies, saying she works for First National City, Williamsburg Branch. As they ...
[5] Fields was revitalized by working with the much younger Coleman, and by the contemporary nature of their first project, which was Sweet Charity, again with a book by Simon, starring Gwen Verdon, and introducing the songs "If My Friends Could See Me Now", "I'm a Brass Band", "Big Spender" and "The Rhythm of Life". [1]
Sweet Charity is a 1969 American musical comedy-drama film directed and choreographed by Bob Fosse in his film directorial debut. [2] It is adapted by Peter Stone from the 1966 stage musical of the same name – also directed and choreographed by Fosse – in turn based on the 1957 Federico Fellini film Nights of Cabiria.
Capitol Records (1989) / Airwave (2002) / Not Them Again Music (2013) Musical artist Hugh Albert Harris [ 1 ] (2 August 1964 – 1 January 2019) [ citation needed ] was an English musician, most known for his song "Rhythm of Life".
The following is a list of musical films by year. A musical film is a film genre in which songs sung by the characters are interwoven into the narrative, sometimes accompanied by dancing. 1920s
Rhythm of Life is the 1983 debut album by Paul Haig. The phrase may also refer to: "Rhythm of Life", a song by Oleta Adams from the 1990 album Circle of One "Rhythm of Life", a song by Richard Marx from the 1987 album Richard Marx
Three patrons take their first sip of Guinness in a London pub. "The Rhythm of Life" as performed by Sammy Davis Jr. in the 1969 film version of the musical Sweet Charity begins to play as a reverse-motion sequence begins. The three men appear to retreat from the bar and into the street, other patrons disappearing as they pass.