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The software can be used as a VST plugin within a digital audio workstation, or as a standalone program. Released in 2006, [ 1 ] the plugin has gained widespread popularity in the electronic music field, and is one of the most popular synthesizer plugins for modern dance music production.
In addition, free instruments can be downloaded from the User Library. All of Reaktor's instruments can be freely examined, customized, or taken apart, encouraging reverse engineering. The free, limited version called Reaktor Player allows musicians to play NI-released Reaktor instruments, but not edit or reverse-engineer them.
Kontakt Player is a free, feature-limited version of Kontakt that functions as a virtual instrument for sample libraries, often with a specialized GUI with graphics and controls specific to that library, without the expense and extensive editing capabilities of the full version of Kontakt.
VST plug-in soft-synth versions of some of these keyboards have also been released by various developers, including the Yamaha PSS-170 and PSS-480 by Audio Animals, [9] [10] GSS-370 (based on the PSS370 keyboard) [11] and PortaFM.
The Access Virus is a virtual analog synthesizer made by the German company Access Music GmbH. [1] It was first produced in 1997 and has since been upgraded frequently, with the company releasing new models about every two years.
In computer music and professional audio creation, a DirectX plugin is a software processing component that can be loaded as a plugin into host applications to allow real-time processing, audio effects, mixing audio or act as virtual synthesizers. DirectX plugins allow the replacement of traditional recording studio hardware and rack units used ...
VST was developed by Steinberg Media Technologies in 1996. It creates a complete, professional studio environment on the PC or Mac. [1]Virtual Studio Technology (VST) is an audio plug-in software interface that integrates software synthesizers and effects units into digital audio workstations.
Korg's chief engineer, Junichi Ikeuchi, led the hardware engineering design of the M1. [4] Whereas previous synthesizers had shipped with sounds chosen for different markets, the Korg chairman, Tsutomu Kato, and his son Seiki decided that their synthesizers should use the same sounds internationally.