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The human skull is an obvious and frequent symbol of death, found in many cultures and religious traditions. [1] Human skeletons and sometimes non-human animal skeletons and skulls can also be used as blunt images of death; the traditional figures of the Grim Reaper – a black-hooded skeleton with a scythe – is one use of such symbolism. [2]
Kappu Bilupu (Kannada: ಕಪ್ಪು ಬಿಳುಪು, which means Black and White) is a 1969 Indian Kannada language film directed by Puttanna Kanagal. Based on a novel of the same name by Aryamba Pattabhi, this movie revolves around the contrasting behaviors of an identical, yet distinct pair of twins. The film starred Kalpana in dual roles.
Allamaprabhu was a 12th-century Lingayat-saint and Vachana poet (called Vachanakara) of the Kannada language, [4] [5] propagating the unitary consciousness of Self and Shiva. [web 1] [6] Allamaprabhu is one of the celebrated poets and the patron saint [note 1] of the Lingayata [note 2] movement that reshaped medieval Karnataka society and popular Kannada literature.
Kannada poetry dates back many centuries, to before the time of Adikavi Pampa. A revival took place in the early 20th century led by Kuvempu, Dattatreya Ramachandra Bendre, B. M. Srikanthaiah and others. The genre was further developed after Indian independence with poets including Gopalakrishna Adiga
In the 1950s and 1960s Adiga was a teacher in Mysore. [5] From 1964 until 1968 he was the principal of Lal Bahadur College in Sagara, and from 1968 until 1971 he was Principal of Poorna Prajna College in Udupi.
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The pen pictures of Tilak, Gokhale, Rabindranath Tagore, Visvesvaraya, Raja Ram Mohan Roy and Gandhi highlight the characteristic qualities of the personalities depicted. [1] On the occasion of his birth centenary, all his works compiled in eleven volumes titled "D.V.G. Kriti Shreni", are jointly published by Department of Kannada and Culture ...
Gesso work was the hallmark of all traditional paintings of Karnataka. Gesso refers to the paste mixture of white lead powder, gambose and glue which is used as an embossing material and covered with gold foil. The gesso work in Mysore paintings is low in relief and intricate as compared to the thick gold relief work of the Tanjore School.