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In their new songs, the Beatles continued the studio experimentation that had typified Sgt. Pepper [50] and the psychedelic sound they had introduced in 1966 with Revolver. [51] Author Mark Hertsgaard highlights "I Am the Walrus" as the fulfilment of the band's "guiding principle" during the sessions – namely to experiment and be "different ...
[58] The album is primarily made up of cover songs, including songs by artists such as Elvis Presley, The Beatles, Carole King and Tina Turner. The inspiration for the album came when Richard was sent a copy of Israel Kamakawiwo'ole 's recording of "Over the Rainbow" combined with " What a Wonderful World " weeks into the year 2000 and he knew ...
2. "Come and Get It" by Badfinger. 1969 Written and produced by Paul McCartney, this song became a top 10 hit for Badfinger, a band signed to the Beatles’ Apple label.
Song Year Beatles album Original artist Ref. "Anna (Go to Him)" 1963 Please Please Me: Arthur Alexander "Chains" The Cookies "Boys" The Shirelles "Baby It's You" The Shirelles "A Taste of Honey" Billy Dee Williams "Twist and Shout" The Top Notes "Till There Was You" With the Beatles: Sue Raney "Please Mr. Postman" The Marvelettes "Roll Over ...
Kurt Hoffman's Band of Weeds performs "Revolution #9" on the 1992 album Live at the Knitting Factory: Downtown Does the Beatles (Knitting Factory Records). [56] The jam band Phish performed "Revolution 9" (along with almost all of the songs from The Beatles) at their Halloween 1994 concert that was released in 2002 as Live Phish Volume 13. [57]
"Blue Jay Way" is a song by the English rock band the Beatles. Written by George Harrison, it was released in 1967 on the group's Magical Mystery Tour EP and album. The song was named after a street in the Hollywood Hills of Los Angeles where Harrison stayed in August 1967, shortly before visiting the Haight-Ashbury district of San Francisco.
The Rattles performed in Hamburg, and played at the same venues as The Beatles on several occasions in 1962. [1] In 1964, the group recorded "Zip-A-Dee-Doo-Dah", which charted in the UK. In 1968, they recorded their first version of "The Witch", with vocals by Henner Hoier. [1] The band's records sold well in Germany throughout the 1960s.
The song was initially composed in C, but was played in F on Rubber Soul (with a capo on the fifth fret). The verse opens with an F major chord ("Michelle" – melody note C) then the second chord (on "ma belle" – melody note D ♭) is a B ♭ 7 ♯ 9 (on the original demo in C, the second chord is a F 7 ♯ 9).