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Sweet Dreams" tied Knowles with Kristine W for second-most number one songs on the Hot Dance Club Songs during the 2000s. [44] "Sweet Dreams" was certified platinum by the Recording Industry Association of America (RIAA), denoting sales of one million digital copies. [45] As of October 2012, it had sold 1,691,000 digital downloads in the US. [46]
It also features a "fan exclusive" cut of the "Ego" video and behind-the-scenes footage of the shooting of the videos. The second disc hosts electronica dance remixes of the songs, [1] [2] as well as of the album's sixth single, "Sweet Dreams". A mix of "Ego" with a rap verse from Kanye West closes the album.
Sweet Dreams" was critically acclaimed for its use of electronic bassline, which some critics compared to Michael Jackson's "Beat It" because of its electropop sound. [26] [27] "Sweet Dreams" is derived from contemporary R&B and incorporates influences from the classic 1980s funk. [28] "Broken-Hearted Girl" is a midtempo piano ballad. [28]
"Beautiful Nightmare", a song by Skylar Grey "Sweet Dreams" (Beyoncé song), a 2009 song originally titled "Beautiful Nightmare" by Beyoncé Knowles; Beautiful Nightmare, 2012 album by Reece Mastin "The Beautiful Nightmare," a ring name briefly held by wrestler Katarina Waters in 2009 during her time in ECW
"Texas Hold 'Em" is the livelier of the two songs, sure to produce some choreographed line dancing. "This ain't Texas, ain't no hold 'em," Beyoncé sings as an up-tempo beat thumps in the background.
Beyoncé, Shaboozey, and Pharrell Williams’ “Sweet Honey Buckiin’” is a three-part song that offers some of Beyoncé’s most extensive comments on the music industry, fame, and staying ...
Prince & Beyonce - Purple Rain / Baby I'm A Star (At The Grammys) (Live) (2008) Then, the pair moves to the B-stage and breaks into a dazzling rendition of another one of Prince's biggest songs ...
The duo initially composed "Broken-Hearted Girl" as a traditional rhythm and blues song but co-writer Kenneth "Babyface" Edmonds changed one chord and added falsetto vocals. [2] His recording a demo version preceded a rewrite of the backing track chords and the addition of a four-on-the-floor piano; [ 2 ] the result was a "grand-piano ballad ...