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Tartuffe, or The Impostor, or The Hypocrite (/ t ɑːr ˈ t ʊ f,-ˈ t uː f /; [1] French: Tartuffe, ou l'Imposteur, pronounced [taʁtyf u lɛ̃pɔstœʁ]), first performed in 1664, is a theatrical comedy by Molière. The characters of Tartuffe, Elmire, and Orgon are considered among the greatest classical theatre roles.
Jean-Baptiste Poquelin (French pronunciation: [ʒɑ̃ batist pɔklɛ̃]; 15 January 1622 (baptised) – 17 February 1673), known by his stage name Molière (UK: / ˈ m ɒ l i ɛər, ˈ m oʊ l-/, US: / m oʊ l ˈ j ɛər, ˌ m oʊ l i ˈ ɛər /, [1] [2] [3] French:), was a French playwright, actor, and poet, widely regarded as one of the great writers in the French language and world literature.
He hopes to perform a short play he has written for the occasion. Molière, however, has been presented to the family and staff of Monsieur Jourdain as Tartuffe, a priest who is to serve as tutor for the Jourdains' younger daughter. As the story progresses Molière proceeds to fall in love with Jourdain's neglected wife, Elmire.
Title page of the Bibliothèque nationale de France copy of the first published edition of the play, 1793. The Guilty Mother (French: La Mère coupable), subtitled The Other Tartuffe, is the third play of the Figaro trilogy by Pierre Beaumarchais; its predecessors were The Barber of Seville and The Marriage of Figaro. [1]
Jean-Baptiste Racine (/ r æ ˈ s iː n / rass-EEN, US also / r ə ˈ s iː n / rə-SEEN; French: [ʒɑ̃ batist ʁasin]; 22 December 1639 – 21 April 1699) was a French dramatist, one of the three great playwrights of 17th-century France, along with Molière and Corneille as well as an important literary figure in the Western tradition and world literature.
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As the only Native American in her Brooklyn neighborhood, Murielle Borst Tarrant’s stoop was her sanctuary. Tarrant grew up on Degraw Street between Court and Smith streets in 1970s Red Hook.
Deus ex machina in Euripides' Medea, performed in 2009 in Syracuse, Italy; the sun god sends a golden chariot to rescue Medea.. Deus ex machina (/ ˌ d eɪ ə s ɛ k s ˈ m æ k ɪ n ə, ˈ m ɑː k-/ DAY-əs ex-MA(H)K-in-ə, [1] Latin: [ˈdɛ.ʊs ɛks ˈmaːkʰɪnaː]; plural: dei ex machina; 'God from the machine') [2] [3] is a plot device whereby a seemingly unsolvable problem in a story is ...