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The other method involves the performer holding the instrument in their lap, placing the bow parallel to the instrument and firmly dragging it across the side of the bridge. In this case the sound is loud, high pitched and squeaky. An example of this playing technique can be found in Gérard Grisey's Vortex Temporum (1995).
Playing a harmonic on a string. Here, "+7" indicates that the string is held down at the position for raising the pitch by 7 semitones. Playing a string harmonic (a flageolet) is a string instrument technique that uses the nodes of natural harmonics of a musical string to isolate overtones. Playing string harmonics produces high pitched tones ...
See list of percussion instruments by type for some shorter, more focused lists. Use the sorting arrows on the common usage column to group instruments as pitched, unpitched or both. Use the sorting arrows on the Classification column to group instruments according to their Hornbostel–Sachs classification.
When an electric guitar is plugged into a loud, powerful guitar amplifier with a loudspeaker and a high level of distortion is intentionally used, the guitar produces sustained high-pitched sounds. By changing the proximity of the guitar to the speaker, the guitarist can produce sounds that cannot be produced with standard plucking and picking ...
This is a partitioned list of percussion instruments showing their usage as tuned or untuned. See pitched percussion instrument for discussion of the differences between tuned and untuned percussion. The term pitched percussion is now preferred to the traditional term tuned percussion: Each list is alphabetical.
The A-flat (A♭) clarinet is the highest-pitched instrument of the clarinet family still manufactured. It is just over half the length of the common B♭ clarinet and pitched a minor seventh higher, a perfect fourth higher than the E♭ clarinet.
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But it does mean that the baroque and renaissance repertoire was intended to be played at the higher pitch. There are many examples of evidence for this: Fellow church instruments that are fixed pitch—cornetts and organs—were pitched at approximately A=460–480 Hz ("Chorton") across Europe in the Renaissance and baroque eras. High pitch is ...