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Self Portrait c. 1875. This is an incomplete list of the paintings by the French painter Paul Cézanne.The artistic career of Cézanne spanned more than forty years, from roughly 1860 to 1906, and formed a bridge between Impressionism and Post-Impressionism.
The Basket of Apples is an oil-on-canvas painting that depicts a table holding a bottle and a basket full of apples. The canvas measures 65 cm x 80 cm and is signed "P. Cézanne" at the lower left. [2] The painting is noted for its disjointed perspective. It has been described as a balanced composition due to its unbalanced parts; the tilted ...
Paul Cézanne (/ s eɪ ˈ z æ n / say-ZAN, UK also / s ɪ ˈ z æ n / siz-AN, US also / s eɪ ˈ z ɑː n / say-ZAHN; [1] [2] French: [pɔl sezan]; 19 January 1839 – 22 October 1906) was a French Post-Impressionist painter whose work introduced new modes of representation and influenced avant-garde artistic movements of the early 20th century, whose work formed the bridge between late 19th ...
The Card Players is a series of oil paintings by the French Post-Impressionist artist Paul Cézanne. Painted during Cézanne's final period in the early 1890s, there are five paintings in the series. The versions vary in size, the number of players, and the setting in which the game takes place.
These paintings were deeply "preconceived and pondered." [6] He tended to compose paintings in lines or bands across his canvases. In his landscapes, including the paintings of Mont Sainte-Victoire, Cézanne liked to modify and simplify the scenes. This broke the landscape norm of composing in planes in order to define depth.
Pyramid of Skulls is an oil on canvas painting produced in 1901. The subject matter was depicted in a pale light against a dark background. The composition is notable for the closeness of the skulls to the viewer. [3] Paul Cézanne. Three Skulls, 1902–1906, graphite and watercolor on paper. Art Institute of Chicago.
The Bathers (French: Les Grandes Baigneuses) is an oil painting by French artist Paul Cézanne (1839–1906) first exhibited in 1906. The painting, which is exhibited in the Philadelphia Museum of Art, is the largest of a series of Bather paintings by Cézanne; the others are in the Museum of Modern Art in New York City, National Gallery, London, the Barnes Foundation, Pennsylvania, and the ...
The painting is from his "dark period" and is done in a realist style, as were many of his early works before he moved into an impressionist style and then post-impressionist. [1] [2] In 1865 it was rejected for an exhibit at the Salon. [3] According to Le Monde it is "one of Paul Cézanne's most important early still lifes". [3]
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