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A BDSM-style collar with a D-ring, and buckles in the back. In BDSM, a collar is a device of any material worn by a person to indicate their submissive or slave status in a BDSM relationship. A person wearing a collar to symbolize their relationship with another is said to be collared. Collars are used to signify ownership or connection within ...
Human branding or stigmatizing is the process by which a mark, usually a symbol or ornamental pattern, is burned into the skin of a living person, with the intention of the resulting scar making it permanent. This is performed using a hot or very cold branding iron.
In Ming dynasty, the yunjian garment collar appears to have been popular in both China and Mongolia in this period. [17] The Ming court once sent a yunjian with the design of gold-brocaded tiger and flower to a Mongolian chieftain. [17] The 4-lobed cloud collar continued to be work around the collars of the Ming dynasty ceremonial robe. [4]
Collar color is a set of terms denoting groups of working individuals based on the colors of their collars worn at work. These can commonly reflect one's occupation within a broad class, or sometimes gender; [ 1 ] at least in the late 20th and 21st century, these are generally metaphorical and not a description of typical present apparel.
Sir Thomas More wearing the Collar of Esses as Lord Chancellor, by Hans Holbein the Younger (1527). In jewelry, a collar is an ornament for the neck. The term collar is an older word for necklace. It is usually reserved today for a necklace that lies flat to the body rather than hanging freely, and it rests directly above the collar bone.
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In particular, the term dog collars or colliers de chien caught on, and these designs – incorporating luxe diamonds, pearls, lace, and velvet – could be seen as objects of the elite because the best kinds were custom-made to fit one's neck perfectly. [5]
The custom of wearing neck rings is related to an ideal of beauty: an elongated neck. Neck rings push the clavicle and ribs down. [ 1 ] The neck stretching is mostly illusory: the weight of the rings twists the collarbone and eventually the upper ribs at an angle 45 degrees lower than what is natural, causing the illusion of an elongated neck.
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