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Riptide is an American detective television series that ran on NBC between January 3, 1984 and April 22, 1986, starring Perry King, Joe Penny, and Thom Bray. The series was created by Frank Lupo and Stephen J. Cannell and was a joint production of Stephen J. Cannell Productions in association with Columbia Pictures Television for NBC.
Solid Gold – Theme song performed by Dionne Warwick (Seasons 1 and 4) and Marilyn McCoo (Seasons 2–3, 5–8) Some Mothers Do 'Ave Em – Ronnie Hazlehurst; The Sonny & Cher Comedy Hour ("The Beat Goes On") – Sonny Bono and Cher; Sonny with a Chance ("So Far, So Great") – Demi Lovato; The Sooty Show – Alan Braden
They Might Be Giants - "Boss of Me" (Theme from Malcolm in the Middle), "Dog on Fire" (Theme from The Daily Show), "Here in Higglytown" (Theme from Higglytown Heroes), "Mickey Mouse Clubhouse Theme Song" (Theme for Mickey Mouse Clubhouse) and "Hot Dog!" (Theme from Mickey Mouse Clubhouse)
The theme song perfectly captures the essence of this show and can easily bring a smile to any kid’s face (or adult, for that matter). Watch on Prime Video 44.
Rock duo Pratt & McClain's easygoing Happy Days theme song represents the unbridled zeal of '70s Americana as much as Queen Latifah's boom bap Living Single theme song was a mirror of hip-hop's ...
Television's Greatest Hits is a series of albums containing recordings of TV theme songs through the years. [1] The series was first introduced in 1985 by the newly created Tee-Vee Toons (TVT) record label and ran until 1996. Each of the original seven numbered volumes contains 65 theme songs, with each volume focusing on particular decades.
Over the past few months, we've been devouring a host of compelling TV shows across multiple streaming platforms. But now, we’re taking a moment to... 52 of the Best TV Theme Songs Ever, from ...
He learned about musical orchestrations as a student at Berklee College of Music in Boston, Massachusetts. [4] He also holds a degree in music from the University of Tampa. Calderone's composition process started by transcribing a rough MIDI version of the melody and the tempo of the song that he wished to cover in a digital audio workstation.