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Figuratively, patina can refer to any fading, darkening, or other signs of age, which are felt to be natural or unavoidable (or both). The chemical process by which a patina forms or is deliberately induced is called patination, and a work of art coated by a patina is said to be patinated. Copper weather vane with verdigris patina
The Statue of Liberty, showing advanced patination; verdigris is responsible for the statue's iconic green colour.. Verdigris (/ ˈ v ɜːr d ɪ ɡ r iː (s)/) [1] is a common name for any of a variety of somewhat toxic [2] [3] [4] copper salts of acetic acid, which range in colour from green to a bluish-green depending on their chemical composition.
A patina is a natural or applied surface finish to a sculpture piece. Natural patinas may occur by oxidation due to long exposure to air or earth — the most common of which is verdigris on copper or bronze. Artificial patinas can be created by application of chemical pastes or (below melting point) firing in a chemical atmosphere.
Unlike wear patina necessary in applications such as copper roofing, outdoor copper, bronze, and brass statues and fittings, chemical patina is considered a lot more uneven and undesirable. [2] Patina is the name given to tarnish on copper-based metals, while toning is a term for the type of tarnish which forms on coins.
Copper used in buildings, usually for roofing, oxidizes to form a green patina of compounds called verdigris. Copper is sometimes used in decorative art, both in its elemental metal form and in compounds as pigments. Copper compounds are used as bacteriostatic agents, fungicides, and wood preservatives.
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Its name comes from the natural pigments that form a patina on copper, bronze, and brass as it ages. [2] The most famous example is the green patina that formed on the Statue of Liberty in New York Harbor. In the Middle Ages, the patina was made by attaching copper strips to a wooden block with acetic acid, then burying the sealed block in dung ...