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White-ground technique is a style of white ancient Greek pottery and the painting in which figures appear on a white background. It developed in the region of Attica , dated to about 500 BC. It was especially associated with vases made for ritual and funerary use, if only because the painted surface was more fragile than in the other main ...
Van Gogh experimented with the use of contrasting colors to intensify the impact of his paintings. In this case he paired the green of the bottles against a reddish-brown earthenware pot. The painting is set against a dark background with the effect of making the inside of the bowl made in muted colors appear white. [8]
The Kerch style / ˈ k ɜːr tʃ /, also referred to as Kerch vases, is an archaeological term describing vases from the final phase of Attic red-figure pottery production. Their exact chronology remains problematic, but they are generally assumed to have been produced roughly between 375 and 330/20 BC.
alkyd ground is made of "oil-modified alkyd resin" (oil is added to improve drying) and are in use since the 1960s. Titanium white is used for color; oil ground was a lean lead-based primer, no longer used due to being a health hazard, modern "oil ground" is actually alkyd; genuine gesso ground is a lean ground typically used on top of the boards;
The former primarily produced casual, clear and simple scenes using a black-figure style on a white ground. The white ground of the vases was quite thick and no longer painted directly on the clay foundation, a technique which became the standard for all white-ground vases. The Sappho Painter specialized in funerary lekythos.
One example of a white-ground lekythos by the Thanatos Painter is a vase in the Art Walters Museum (440–430 BCE). [3] The women are mourning over a deceased family member. There is a male figure approaching from the right side of the lekythos that is unseen by the women. He is a representation of the deceased family member. [3]
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Alcaeus and Sappho, Side A of an Attic red-figure calathus, ca. 470 BC.From Akragas, Staatliche Antikensammlungen In the 19th century CE, a magnificent red-figure kylix bearing the Brygos signature and painted in the style of the artist now known as the Brygos Painter was discovered in a 5th-century BCE tomb in Capua, leading John Beazley to dub the tomb (Tomb II) the “Brygos Tomb."