Search results
Results from the WOW.Com Content Network
In Blackwater Woods is a free verse poem written by Mary Oliver (1935–2019). The poem was first published in 1983 in her collection American Primitive , which won the 1984 Pulitzer Prize . [ 1 ] The poem, like much of Oliver's work, uses imagery of nature to make a statement about human experience.
"The Cloud" is a major 1820 poem written by Percy Bysshe Shelley. "The Cloud" was written during late 1819 or early 1820, and submitted for publication on 12 July 1820. The work was published in the 1820 collection Prometheus Unbound, A Lyrical Drama, in Four Acts, With Other Poems by Charles and James Ollier in London in August 1820. The work ...
Instead, the songbird is capable of living through its song, which is a fate that humans cannot expect. The poem ends with an acceptance that pleasure cannot last and that death is an inevitable part of life. In the poem, Keats imagines the loss of the physical world and sees himself dead—as a "sod" over which the nightingale sings. The ...
With Geoffrey Lehmann, he edited two anthologies, The Younger Australian Poets and Australian Poetry in the Twentieth Century, and he is the editor of Selected Poems by Shaw Neilson, and Drawn from Life, the journals of the painter John Olsen. 2008 saw the much anticipated publication of his memoir, The Land I Came Through Last.
This poem is one of Lord Tennyson's shortest pieces of literature. It is composed of two stanzas, three lines each. Contrary to the length, the poem is full of deeper meaning and figurative language. Often literary scholars believe the poem is short to emphasize the deeper meaning in nature itself, that the reader has to find himself.
The text of the poem is as in Poetry and Criticism of Matthew Arnold, edited by Dwight Culler, Boston: Houghton Mifflin Company, 1961; ISBN 0-395-05152-5 and Matthew Arnold's Poems ed. Kenneth Allott (pub. J. M. Dent & Sons Ltd, 1965). The editors of this page have opted for the elided spellings on several words ("blanch'd," "furl'd ...
Although nature shapes Lucy over time and she is seen as part of nature herself, the poem shifts abruptly when she dies. Lucy appears to be eternal, like nature itself. [ 89 ] Regardless, she becomes part of the surrounding landscape in life, and her death only verifies this connection.
The olfactory imagery of the cellar's rankness, presented largely in a litany following the sixth line, blends with the tactile nature of the "slippery planks" in the ninth line. Strong stresses and spondees , emphasized by consistent alliteration and slant rhymes , evince the same action and vitality in language that the speaker of the poem ...