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Eastern Orthodox icons of the Virgin Mary (42 P) R. Russian icons (1 C, 20 P) S. Serbian icons (2 P) U. Ukrainian icons (5 P) Pages in category "Eastern Orthodox icons"
It is popularly attributed to the most celebrated icon-painter of Kievan Rus, St. Alypius from the Kiev Pechersk Monastery and is possibly modeled on a mosaic from the central conch of the Assumption Cathedral in the Pechersk Monastery. The Mother of God Enthroned belongs to the Panachranta type. Shortly before Napoleon's invasion in 1812, it ...
Since the collapse of the Soviet Union, many Russian icons have been repatriated via direct purchase by Russian museums, private Russian collectors, or as was the case of Pope John Paul II giving an 18th-century copy of the famous Our Lady of Kazan icon to the Russian Orthodox Church, returned to Russia in good faith.
They can be ornate or simple. They resemble windows with a roof or dome on top, and therefore support the Eastern Orthodox Church theology which regards icons as "windows into heaven". The icon usually is placed vertically rather than at an angle (as on an analogion). Sometimes there may be a secondary icon on a slanted shelf below the main icon.
Religious icons and crucifixes are allowed in Romanian schools, by order of the Romania high court, in contrast to the United States. [ 3 ] [ 4 ] Romanian icons commonly use a halo to indicate saints, and was used for the ghost in Shakespeare’s Hamlet as well, to indicate the supernatural character of the dead king.
Russian icon of the Holy Trinity The icon of St Nicolas carved in stone (between c. 12 and 15th centuries), at the Radomysl Castle, in Ukraine [2] Luke painting the Theotokos of Vladimir (16th century, Pskov) A rare ceramic icon depicting Saint Arethas (Byzantine, 10th century) Image of the Saviour Not Made by Hand: a traditional Orthodox ...
The inscriptions found in the icon: Around the red face: “The Burning Coal appeared to Isaiah, the sun arose from the virgin’s womb, bringing to those who wandered in darkness the light of the knowledge of God.” Around the green circle is the Ode of the Theotokos: “My soul magnifies the Lord, and my spirit has rejoiced in God my Savior ...
Such icons were seen as powerful arguments against iconoclasm.In a document apparently produced in the circle of the Patriarch of Constantinople, which purports to be the record of a (fictitious) Church council of 836, a list of acheiropoieta and icons miraculously protected is given as evidence for divine approval of icons.
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