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Walter Fraser Martin (1857-1912) supplied the technical expertise, specializing in coloured glazes and became the firm's specialist on the wheel; Edwin Bruce Martin (1860-1915) was the thrower and decorator whose work included most of the fish and flower designs; and Charles Douglas Martin (1846 - 1910) managed the shop.
Other famous glazes were used, e.g. sunstone, eggshell, fiery crystalline, aventurine, merged and curdled glazes. [3] Glazes of different textures were also produced. These "fruit skin" glazes had surfaces like orange peel or apricot. The pottery's work was exhibited at the Franco-British Exhibition of 1908 in London. [4]
The origins of Mason Cash can be traced back to a pottery already operating at Church Gresley around 1800. [4] The location was selected due to the local deposits of clay and coal . [ 1 ] Mason Cash ceramic items were made from ‘white and cane’ glazed earthenware sometimes known as ‘yellow ware’ due to the colour of the local clay.
Keeler makes salt glaze pottery influenced by early Staffordshire Creamware. [1] Keeler was born in London and attended Harrow School of Art, London from 1958 until 1963 where he was trained by Michael Casson. [2]
Mintons was a major company in Staffordshire pottery, "Europe's leading ceramic factory during the Victorian era", [1] an independent business from 1793 to 1968. It was a leader in ceramic design, working in a number of different ceramic bodies, decorative techniques, and "a glorious pot-pourri of styles - Rococo shapes with Oriental motifs, Classical shapes with Medieval designs and Art ...
When the studio closed in 1935 the formulae for the glazes and all the pottery documentation were deliberately destroyed, so that the unique Ruskin products could never be replicated. A large collection of Ruskin Pottery is on public display at Wednesbury Museum and Art Gallery, Wednesbury, about 3.5 miles (5.6 km) north of the factory. The ...
The area northeast of Farnham became the centre of the Border ware pottery industry. Three sites have been identified as producing the pottery best representing Border Ware fabrics, forms and glazes. These sites are: Farnborough Hill Convent in Farnborough, Hampshire, Ye Old Malthouse in Hawley, Hampshire and The Lime, Ash, Surrey. [11]
During this time, another major stoneware pottery at neighbouring Denby, Derbyshire (Joseph Bourne & Son) was experiencing difficulties in meeting orders on time due to some technical problems, a lack of production facilities and skilled labour. Joseph Bourne & Son therefore bought the Langley Mill pottery in October 1959, for a reported £25,000.
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