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A transporter is a fictional teleportation machine used in the Star Trek universe.Transporters allow for teleportation by converting a person or object into an energy pattern (a process called "dematerialization"), then sending ("beaming") it to a target location or else returning it to the transporter, where it is reconverted into matter ("rematerialization").
Since many sounds familiar to Star Trek had already been established—the Bird of Prey's cloaking device, the transporter beam, et al.—Mangini focused on making only small changes to them. The most important sounds were those created by the whales and the probe.
The communicator is a fictional device used for voice communication in the fictional universe of Star Trek. As seen in at least two instances, the Original Series episodes "Tomorrow Is Yesterday" and "Day of the Dove," it can also serve as an emergency signaling device/beacon, similar to a transponder.
Generations' score was the first Star Trek album to be published commercially by the independent record label GNP Crescendo Records.Its founder Gene Norman's son, Neil Norman (who currently runs the label) has been a fan of science fiction films and liked the franchise's original series and films. [3]
The First Contact soundtrack was released by the independent label GNP Crescendo Records—which distributed all of the Star Trek film and television soundtracks—on December 2, 1996, [7] [8] The album contained 51 minutes of music, with 35 minutes of Jerry Goldsmith's score, 10 minutes of additional music by Joel Goldsmith, and two licensed songs—Roy Orbison's "Ooby Dooby" and Steppenwolf ...
Star Trek II: The Wrath of Khan is a 1982 science fiction film directed by Nicholas Meyer, based on the television series Star Trek and is the second film in the Star Trek film series, following Star Trek: The Motion Picture (1979). The film is scored by James Horner, in his first major film score he composed in his career. [1]
The episode explores one the classic staples of the Star Trek universe, a transporter-gone-wrong theme. [2] Ensign Hoshi Sato passes through the transporter and finds that she is slowly disappearing. At the same time, she is the only person who can see aliens planting explosives in key ship systems, with no way to warn the crew.
The punk music during the bus scene was written by Kirk Thatcher who worked with the film's sound designer Mark Mangini and two other sound editors from punk bands to create their own music. [3] They would be credited as the fictional punk band "Edge of Etiquette" and wrote a song named "I Hate You" which contained few explicit lyrics.