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The alternative Super series, denoted SnR, nR Plus or nR+, has an aspect ratio of 3∶2 (or as close as possible) and thus provides a better fit for standard 135 film (35 mm) at sizes of 8 inches or above. 5R is twice the size of a 2R print, 6R twice the size of a 4R print and S8R twice the size of 6R. 4D/6D is a newer size for most consumer ...
A blank space means that manufacturer did not make film in that size. Two numbers in one box refers to films available with different numbers of exposures, usually 6 and either 10 or 12. Spool length is measured between inner faces of the flanges; several films of the same image size were available on different spools to fit different cameras.
Frame number markings for three standard image formats (6×4.5, 6×6, and 6×9 [4:3, 1:1, and 2:3 aspect ratios]; see below) are printed on the backing paper. The 220 format was introduced in 1965 and is the same width as 120 film, but with about double the length of film and thus twice the number of possible exposures per roll.
A film format is a technical definition of a set of standard characteristics regarding image capture on photographic film for still images or film stock for filmmaking. It can also apply to projected film, either slides or movies. The primary characteristic of a film format is its size and shape.
A film with a particular ISO rating can be push-processed, or "pushed", to behave like a film with a higher ISO, by developing for a longer amount of time or at a higher temperature than usual. [31]: 160 More rarely, a film can be "pulled" to behave like a "slower" film. Pushing generally coarsens grain and increases contrast, reducing dynamic ...
The 135 film size is derived from earlier still cameras using lengths of 35 mm movie film, which had the same size but with different perforations. The 35 mm film standard for motion picture film was established in Thomas Edison 's lab by William Kennedy Laurie Dickson . [ 6 ]
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