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This is a list of deities playing a role in the Classic (200–1000 CE), Post-Classic (1000–1539 CE) and Contact Period (1511–1697) of Maya religion.The names are mainly taken from the books of Chilam Balam, Lacandon ethnography, the Madrid Codex, the work of Diego de Landa, and the Popol Vuh.
The traditional Maya or Mayan religion of the extant Maya peoples of Guatemala, Belize, western Honduras, and the Tabasco, Chiapas, Quintana Roo, Campeche and Yucatán states of Mexico is part of the wider frame of Mesoamerican religion.
Kinich Ahau (Mayan: [kʼiː.nitʃ a'haw]) is the 16th-century Yucatec name of the Maya sun god, designated as God G when referring to the codices. In the Classic period, God G is depicted as a middle-aged man with an aquiline nose, large square eyes, cross-eyed, and a filed incisor in the upper row of teeth.
Ek Chuah, also transliterated as Ek Chuaj and known as God M in the Schellhas-Zimmermann-Taube classification of codical gods, is a Postclassic Maya merchant deity and patron deity of cacao. [1] Ek Chuah is part of a pantheon of Maya deities that have been depicted in hieroglyphs and artwork of various Maya sites and has been interpreted as a ...
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The head of the tonsured maize god serves to denote the number 1, that of the foliated maize god the number 8. [17] The tonsured maize god is sometimes found associated with the lunar crescent and may therefore have played a role in the divisions of the lunar count; his head seems to occur in glyph C of the Lunar Series (see also Maya moon ...
The Temple of the Descending God is located in Tulum. The bees used by the Maya are Melipona beecheii and Melipona yucatanica, species of stingless bee. Ah Muzen Cab is a Melipona bee. [1] The deity is the creator of the Earth and Universe in the fourth and final cycle of the cosmos, according to Maya peoples in the Yucatán Peninsula.
Scholars have compared him to the maize hero of the Gulf Coast peoples and identified several episodes from this deity's mythology in Maya art, such as his aquatic birth and rebirth, his musical challenge to the deities of water and rain (on San Bartolo's west wall) and his victorious emergence from the latter's turtle abode. [31]