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Morton Gould, Tuba Suite for Solo Tuba and 3 Horns (1971) Meyer Kupferman, Sound Objects 1-3 (1978), for tuba, trumpet and piano (1978) [4] Alvin Lucier, Sestina for Contrabass Flute, Contrabass Saxophone and Contrabass Tuba (2000) Larry Polansky, Two Children's Songs for Trombone and Tuba (1992) Larry Polansky, Three Pieces for Trombone and ...
In a 2004 interview with Tubanews.com, Johnson remembered being late to the recording session and opened his music to find the tuba solo. It wasn't until later that he found out it was the theme for the shark. Johnson said he asked composer John Williams why he didn't write the solo for the French horn, an instrument better suited for the ...
Øystein Baadsvik is known for his master classes, performances, and tuba clinics which are frequently held in numerous universities throughout the world including The Juilliard School, Indiana University, Cleveland Institute of Music, Northwestern University, Shepherd School of Music at Rice University, the University of Wisconsin–Madison ...
Roger Bobo (June 8, 1938 – February 12, 2023) was an American tuba virtuoso and brass pedagogue. He retired from active tuba performance in 2001 in order to devote his time to conducting and teaching. He gave what is reputed to be the first solo tuba recital in the history of Carnegie Recital Hall. [1] His solo and ensemble discography is ...
Along with classical music, the instrument appears in a variety of jazz styles as well film and circus music. Most professional tubists are tied to ensembles such as symphony orchestras and bands—including brass, concert and Jazz bands—or academic institutions. A smaller minority spend their careers as solo or chamber musicians.
The Concerto in F Minor for Bass Tuba and Orchestra by British composer Ralph Vaughan Williams was written in 1954 for Philip Catelinet, principal tubist of the London Symphony Orchestra (LSO), who together gave the premiere on 13 June 1954 with Sir John Barbirolli conducting. [1] The same musicians made the work’s first recording that same ...
Other changes include the addition of rehearsal numbers to the score and parts, the titles of the folk songs added where they occur in the music, the horns notated in F in the score instead of in E ♭, the separation of the string bass from the tuba into its own part, and the percussion split into two parts.
In addition to large-scale instrumental compositions Woods has written pieces for clarinet, tuba and piano solo, songs for high and low voices, and music for children. He chooses traditional genres, moderate stylistics and tonal harmonic language .
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