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The original postcards were "printed on linen-textured paper with a high rag content, allowing absorption of dyes from high-speed German lithographic presses," [3] thus large-letter postcards are usually a subtype of linen postcards, although the basic design existed earlier. [4] The postcards produced by Curt Teich (rhymes with "like") [5] and ...
A typical 1940s–early 1950s black-and-white real photo postcard. A real photo postcard (RPPC) is a continuous-tone photographic image printed on postcard stock. The term recognizes a distinction between the real photo process and the lithographic or offset printing processes employed in the manufacture of most postcard images.
The Penny Penates is a postcard that was posted on 14 July 1840 to Fulham in London. It was addressed to the writer and practical joker Theodore Hook, who was probably also its sender and artist. The hand-painted design on the postcard shows an image of post office clerks sitting around a giant ink well.
One of the better known "linen-era" postcard manufacturers was Curt Teich and Company, who first produced the immensely popular "large letter linen" postcards (among many others). The card design featured a large letter spelling of a state or place with smaller photos inside the letters. The design can still be found in many places today.
Postcards document the natural landscape as well as the built environment—buildings, gardens, parks, cemeteries, and tourist sites. They provide snapshots of societies at a time when few newspapers carried images. [16] Postcards provided a way for the general public to keep in touch with their friends and family, and required little writing. [16]
Media commonly used in mail art include postcards, paper, a collage of found or recycled images and objects, rubber stamps, artist-created stamps (called artistamps), and paint, but can also include music, sound art, poetry, or anything that can be put in an envelope and sent via post. Mail art is considered art once it is dispatched.
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