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"Worried Life Blues" is a blues standard and one of the most recorded blues songs of all time. Originally recorded by Big Maceo Merriweather in 1941, "Worried Life Blues" was an early blues hit and Maceo's most recognized song. The song was inspired by an earlier track and several artists have had record chart successes with their ...
The composition and its arrangement suggest a relaxing sea setting, with cymbals imitating the sound of waves (Mick Fleetwood played his drum kit using timpani mallets to give a muted sound) and a dreamy solo from Green's guitar. It contains four chords, E, Emaj7 (or G#m/E), A/E, and F#m, played by Green on his Fender Stratocaster into a Matamp ...
"Spoonful" has a one-chord, modal blues structure found in other songs Dixon wrote for Howlin' Wolf, such as "Wang Dang Doodle" and "Back Door Man", and in Wolf's own "Smokestack Lightning". It uses eight-bar vocal sections with twelve-bar choruses and is performed at a medium blues tempo in the key of E. [ 5 ] Music critic Bill Janovitz ...
Blues is a music genre [3] and musical form that originated amongst African-Americans in the Deep South of the United States around the 1860s. [2] Blues has incorporated spirituals, work songs, field hollers, shouts, chants, and rhymed simple narrative ballads from the African-American culture.
Dominant 7th chords are generally used throughout a blues progression. The addition of dominant 7th chords as well as the inclusion of other types of 7th chords (i.e. minor and diminished 7ths) are often used just before a change, and more changes can be added. A more complicated example might look like this, where "7" indicates a seventh chord:
"Driftin' Blues" or "Drifting Blues" is a blues standard, recorded by Johnny Moore's Three Blazers in 1945. The song is a slow blues and features Charles Brown 's smooth, soulful vocals and piano. It was one of the biggest blues hits of the 1940s and "helped define the burgeoning postwar West Coast blues style". [ 1 ] "
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"All Your Love" is a moderate-tempo minor-key twelve-bar blues with Afro-Cuban rhythmic influences. An impromptu song "apparently dashed off ... in the car en route to Cobra's West Roosevelt Road studios", [2] it borrows guitar lines and the arrangement from "Lucky Lou", a 1957 instrumental single by blues guitarist Jody Williams. [3]
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