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A delay unit called the Reecho Pro was made along the same premise of the ShimVerb Pro, featuring many more delay types and settings as well as a 20-second looper. In 2015, at the NAMM Show, [3] Mooer debuted a wah pedal, called "The Wahter", thus starting a "Mini" series. To create more room for the foot, u-shaped bars fold up from the pedal ...
The DL4 by Line 6, introduced in 1999, is a digital delay pedal. It is one of the first digital modeling effects units. [1] The DL4 features models of 16 vintage delay effects, including the Echoplex, Roland Corporation's Space Echo, and the Electro-Harmonix Deluxe Memory Man. [2] It is also used for looping. [3]
TC Electronic was founded by two musician brothers, Kim and John Rishøj. Their SCF, ("Stereo Chorus + Pitch Modulator & Flanger") was a successful early product. [1] After initial success with guitar effect pedals, they developed 19" rack mounted processors, including the TC2290 delay released in 1985.
Blackstar produces guitar pedals for boost, overdrive, distortion, distx, modulation, reverb, delay, dual and metal. Some of the pedals incorporate valves (tubes) in the electronics, the drive pedals incorporate Blackstars ISF feature. Like the HT-5, some of the pedals have an emulated speaker output for direct recording. [11]
Since then, he develops his own pedals, starting with a boost pedal; his most popular effect is a compressor (first built in 2001), selling more than 27,000 copies. [3] According to Guitar World, Keeley Electronics has grown into "one of the world’s top sellers of guitar effects pedals". [4]
Under the Damage Control name, the company's product line included several guitar preamps, distortions, multi-effects, [2] and delays which utilized tubes within the pedals themselves. A Strymon BigSky reverb pedal. The Strymon product line includes distortion, delay, [3] reverb, [4] chorus, [5] flanger, and compressor pedals for guitar. [6] [7]
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Electro-Harmonix was founded by rhythm and blues keyboard player Mike Matthews in October 1968 in New York City with $1,000. [3] He took a job as a salesman for IBM in 1967, but shortly afterwards, in partnership with Bill Berko, an audio repairman who claimed to have his own custom circuit for a fuzz pedal, he jobbed construction of the new pedal to a contracting house and began distributing ...
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