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Bedroom in Arles (French: La Chambre à Arles; Dutch: Slaapkamer te Arles) is the title given to three similar paintings by 19th-century Dutch Post-Impressionist painter Vincent van Gogh. Van Gogh's own title for this composition was simply The Bedroom (French: La Chambre à coucher). There are three authentic versions described in his letters ...
The Safras commissioned Renzo Mongiardino as interior designer, while the second-floor bedrooms were decorated by Mica Ertegün. [3] The Safras held large parties at the villa, and, at a 1988 party, female guests were given an enameled box with a portrait of the Villa Leopolda.
Shabby chic is a style of interior design that chooses either furniture and furnishings for their appearance of age and signs of wear and tear or distresses new ones to achieve the same result. Unlike much genuine period décor, this style features a soft, pastel-colored , cottage look.
Art Deco, short for the French Arts décoratifs (lit. ' Decorative Arts '), [1] is a style of visual arts, architecture, and product design, that first appeared in Paris in the 1910s (just before World War I), [2] and flourished in the United States and Europe during the 1920s to early 1930s.
The Louis XV style or Louis Quinze (/ ˌ l uː i ˈ k æ̃ z /, French: [lwi kɛ̃z]) is a style of architecture and decorative arts which appeared during the reign of Louis XV. From 1710 until about 1730, a period known as the Régence , it was largely an extension of the Louis XIV style of his great-grandfather and predecessor, Louis XIV .
French Baroque is a form of Baroque architecture that evolved in France during the reigns of Louis XIII (1610–43), Louis XIV (1643–1714) and Louis XV (1714–74). French Baroque profoundly influenced 18th-century secular architecture throughout Europe.
The Beaux-Arts style evolved from the French classicism of the Style Louis XIV, and then French neoclassicism beginning with Style Louis XV and Style Louis XVI.French architectural styles before the French Revolution were governed by Académie royale d'architecture (1671–1793), then, following the French Revolution, by the Architecture section of the Académie des Beaux-Arts.
The architecture of the Exposition was often a mixture of Art Nouveau and Beaux-Arts architecture: the main exhibit hall, the Grand Palais had a Beaux-Arts façade completely unrelated to the spectacular Art Nouveau stairway and exhibit hall in the interior. French designers all made special works for the Exhibition: Lalique crystal and ...
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