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The style of architecture and design under King Louis Philippe I (1830–1848) was a more eclectic development of French neoclassicism, incorporating elements of neo-Gothic and other styles. It was the first French decorative style imposed not by royalty, but by the tastes of the growing French upper class.
The interior layout of Rococo palaces often incorporated a multi-level design, typically featuring two, three, or four floors, each consisting of two rooms across its width. Rather than employing hallways or corridors for room access, these palaces were designed around one or more grand staircases, in addition to service stairwells and lifts ...
Louis-Jean-Sylvestre Majorelle, usually known simply as Louis Majorelle, (26 September 1859 – 15 January 1926) was a French decorator and furniture designer who manufactured his own designs, in the French tradition of the ébéniste.
Bedroom in Arles (French: La Chambre à Arles; Dutch: Slaapkamer te Arles) is the title given to three similar paintings by 19th-century Dutch Post-Impressionist painter Vincent van Gogh. Van Gogh's own title for this composition was simply The Bedroom (French: La Chambre à coucher). There are three authentic versions described in his letters ...
Hints from French-style interior design often show in shabby chic homes, such as Rococo-style lighting fixtures, furniture or wall paneling. The shabby chic aesthetic also expands to the garden, with the same design principles of using timeworn garden furniture and soft-hued accessories. Rose gardens are popular with the shabby chic style of ...
The Louis XV style or Louis Quinze (/ ˌ l uː i ˈ k æ̃ z /, French: [lwi kɛ̃z]) is a style of architecture and decorative arts which appeared during the reign of Louis XV. From 1710 until about 1730, a period known as the Régence , it was largely an extension of the Louis XIV style of his great-grandfather and predecessor, Louis XIV .
The decorative motifs of Louis XVI style were inspired by antiquity, the Louis XIV style, and nature.Characteristic elements of the style: a torch crossed with a sheath with arrows, imbricated disks, guilloché, double bow-knots, smoking braziers, linear repetitions of small motifs (rosettes, beads, oves), trophy or floral medallions hanging from a knotted ribbon, acanthus leaves, gadrooning ...
Later in the period, at the end of the 20th century, some architects tried to develop a new forms and a new aesthetic, using modern materials. The best example was the Église Saint-Jean-de-Montmartre, begun in 1894 by architect Anatole de Baudot. Baudot was an expert in medieval architecture, and was a pupil of Viollet-le-Duc. He was professor ...
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